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Symposium
Attendance Directory
This directory of symposium delegates (November 2001) will eventually
form part of the PARIP searchable database, which will be located on the
'Community' pages of this website.
Adams, John
Department of Drama: Theatre, Film, Television
University of Bristol
Cantocks Close
Woodland Road
Bristol BS8 1UP
T: +44 0117 928 7837
john.adams@bristol.ac.uk
PARIP Advisory Group member
Allegranti, Beatrice
University of Surrey, Roehampton
Roehampton Lane
London SW15 5PU
beatriceallegranti@mac.com
b.allegranti@roehampton.ac.uk
My research
explores the interaction between Dance Movement Therapy and choreographic
/ performance process. Specifically, how gendered components of voice,
language and emotional expression unfold during movement improvisation.
Bacon, Jane M.
Performance Studies
University College Northampton
St Georges Avenue
Northampton NN2 6JD
jane@bacon-mulchrone.fsnet.co.uk
Bannerman, Christopher
rescen
Trent Park
Bramley Road
London N14 4YZ
T: +44 020 8362 6288
C.Bannerman@mdx.ac.uk
PARIP Advisory Group member
Barbe, Frances
Department of Drama
Eliot College
University of Kent at Canterbury
Canterbury CT2 7NZ
T: 07931 710 808 (mobile)
franbarbe@hotmail.com
Research uses Japanese models of Butoh dance and Suzuki's actor training
to rethink European physical performance. Main focus is on dance and theatre,
with an interdisciplinary aspect touching on circus and opera performance.
Birch, Anna
Fragments and Monuments
117 Milton Grove
London N16 8QX
T: +44 020 7241 0555
silvabirch@aol.com
Theatre Director Director/PhD student and associate staff for Smartlab,
Central Saint Martins College of Art and Design, London, U.K. PhD title:
Can a dramaturgical matrix assist in uncovering the reading of gender
in turn-of-the century writing for performance? Performance research
experiments with her company Fragments and Monuments are documented in
CD Rom format and Viewhear software (through Smartlab) is used in the
analysis of material.
Briginshaw, Valerie
University College Chichester
Bishop Otter Campus
Chichester
Sussex PO19 4PE
T: +44 01243 816174
V.Briginshaw@ucc.ac.uk
Research concerns playing in the spaces between performance and post-structuralist
theories through writing that engages with and explores ideas about time,
space and subjectivity.
Claid, Emilyn
Theatre and Performance Studies
University of Surrey
Guildford
Surrey GU2 7XH
e.claid@surrey.ac.uk
My practice-based research crosses between performance making and theoretical
writing in particular, the practice of the body intelligence of performing
and bringing that intelligence into writing.
Cologni, Elena
Research Centre
Central Saint Martins College of Art & Design
The London Institute
Southampton Row London
e.cologni1@csm.linst.ac.uk
Thesis title: ‘The identity of the real in relation to the experience
and representation of space'. It explores the viewer-artwork-artist relationship
evolution from Renaissance perspective through to contemporary art using
technology; the implications of a shift in the conceptual position of
both artist and perceiver, where both become incorporated into the actual
space of the work through interaction.
Cruickshank, Tracy
School of English Studies
The University of Nottingham
University Park
Nottingham NG7 2RD
t.cruickshank@ntlworld.com
PhD research: The analysis of language(s) in plays for performance through
the practical and theoretical processes of writing; performing and
representing language on the page and stage.
Curtis, Adam
Department of English
University College Cork
Cork
Ireland
adamcurtisinireland@yahoo.co.uk
Daboo, Jerri
Drama Department
University of Exeter
New North Road
Exeter
Devon EX4 4JZ
jerri@tesco.net
Doing PhD by practice.
Deitch-Dey, Misri
College of Ripon & York St John
Lord Mayors Walk
York YO3 7EX
m.deitchdey@ucrysj.ac.uk
Dowmunt, Tony
Media and Communications
Goldsmiths College
University of London
London SE14 6NW
T.Dowmunt@gold.ac.uk/ TONY@APTFILMS.COM
Community, radical, and art video practice, with particular, current interest
in video diary and autobiography. Also alternative and indigenous media,
globalization and local representation. PARIP regional group coordinator.
Dulic, Aleksandra
Technical University of British Columbia
2400 Surrey Place
10153 King George Highway
Surrey, BC V3T 2W1
Canada
T: +1 604 586 6129
F: +1 604 586 5237
dulic@techbc.ca
Durling, David
Director, Advanced Research Institute
School of Art & Design
Staffordshire University
College Road
Stoke on Trent
ST4 2XN
T: +44 01782 294556
F: +44 01952 550188
d.durling@staffs.ac.uk
Fenemore, Anna
(Manchester Metropolitan University)
16 Cheltenham Road
Chorlton
Manchester M21 9QN
T: +44 0161 860 5702
anna@fenemore85.freeserve.co.uk
Fletcher, Jackie
Drama Department
Modern Languages, Literature and the Arts
Queen’s University Belfast
Belfast BT7 1NN
T: +44 0787 602 6391
j.fletcher@qub.ac.uk
Furnham, David
Lansdown Centre for Electronic Arts
Middlesex University
Cat Hill
Barnet EN4 8HT
T: +44 020 8362 5000
d.furnham@mdx.ac.uk
Originally social arts, historical documentary background (PhD 1999 —
Documentary Practice) and has produced documentary for Channel 4 etc..
Currently interested in applying these interests as original exhibition
/ performance cross art events. Tati — A Chance to Whistle (De La
Warr Pavilion 2000) has led to current tented performance / exhibition
based on early cinema — The Cinema of Comic Illusions.
Gilson-Ellis, Jools
Department of English
University College Cork
Cork
Ireland
jools@ucc.ie
PARIP regional group coordinator.
Ginman, John
Department of Drama and Theatre Arts
Goldsmiths College
University of London
New Cross
London SE14 6NW
j.ginman@gold.ac.uk
Methodologies of / approaches to rehearsal; new performance writing (including
approaches to dramatic / performance text development across a wide range
of mainstream and experimental practice); innovative approaches to theatre
for children and music theatre; innovative approaches to the staging of
Shakespeare. PARIP regional group coordinator.
Hagell, Ron
Department of Media Arts
Royal Holloway
University of London
Egham Hill
Egham TW20 0EX
T: +44 01784 443734
R.Hagell@rhul.ac.uk
Photography, directing and editing contemporary dance/art films and collecting
still photographic and digital video imaging that result in both still
and motion artefacts.
Hamblett, Bill
Small World Theatre
Fern Villa
Llandygwydd
Cardigan
Ceredigion
Wales SA43 2QX
T: +44 0123 968 2785
smallworld@enterprise.net
Hare, Elizabeth
Drama Department
Edge Hill College of HE
St Helen's Road
Ormskirk LA394 QP
T: +44 01695 584223
Haree@edgehill.ac.uk
Worked with performance as research since 1995. Interested in performance
and identity, feminism, queer performance.
Heywood, Liz
Department of Performing Arts
Huddersfield New College
New Hey Road
Huddersfield HD9 1ST
T: +44 01484 683883
lizheywood@rf01.ndo.co.uk
Hodgson, Claire
Theatre Studies
University of North London
166 -220 Holloway Road
London N7 8DB
T: +44 0207 753 5077
c.hodgson@unl.ac.uk
Representation of national identities in contemporary theatre. Disability
and performance. Practice of teaching drama to adult learners. Contemporary
feminist theatre/performance.
Imre, Suna
School of Community and Performing Arts
King Alfred's College Winchester
Winchester SO22 4NR
T: +44 01962 841515 ext 2614
S.Imre@wkac.ac.uk
Utilizing authentic, improvised movement, whilst embracing the physical
environment; researching the meeting places between live art and public
art.
Jeffers, Alison
Arden School of Theatre
7 Edge Lane
Chorlton
Manchester M21 9JE
T: +44 0161 860 0459
Alison.Jeffers@which.net
Jones, Simon
Department of Drama: Theatre, Film, Television
University of Bristol
Cantocks Close
Woodland Road
Bristol BS8 1UP
T: +44 0117 954 5466
simon.jones@bristol.ac.uk
Writer and director for Bodies in Flight; researches performance theory,
devised theatre, contemporary performance, the application of scientific
models of creativity to performance, comparative drama.
Kennedy, Barbara
M.
Department of Humanities
Staffordshire University
College Road
Stoke on Trent ST4 2XW
T: +44 01782 294 4668
b.m.kennedy@staffs.ac.uk
Research interests concerning body, desire and aesthetics in relation
to film theory, with particular reference to articulating a creative imbrication
of theoretical/practical work on aesthetics, post-feminisms and choreography.
Her work engages with Deleuzian and Bergsonian philosophy to present a
pragmatics of becoming in relation to post-feminist practices, and uses
dance, film, and performativity through which to rethink traditional debates.
PARIP regional group coordinator.
Kershaw, Baz
Department of Drama: Theatre, Film, Television
University of Bristol
Cantocks Close
Woodland Road
Bristol BS8 1UP
T: +44 0117 954 5473
baz.kershaw@bristol.ac.uk
PARIP Director and Advisory Group member.
Knapper, Stephen
School of Humanities
Faculty of Human Sciences
Kingston University
Penrhyn Rd.
Kingston-upon-Thames
Surrey
KT1 2EE
T: +44 020 8547 2000 x2586
F: +44 020 8547 7388
s.knapper@kingston.ac.uk
Leighton, Francesca
Graduate School
University College Worcester
Henwick Grove
Worcester WR2 6AJ
T: +44 01905 855240
F.Leighton@worc.ac.uk
PhD by practice with interests in performance and disability.
Ley, Graham
Drama Department
University of Exeter
New North Road
Exeter EX4 4JZ
g.k.h.ley@exeter.ac.uk
Dramaturgy, script-creation, performance theories.
Llewellyn, David
Liverpool John Moores University
Dean Walters Building
St James Rd
Liverpool L1
T: +44 01512315068
mccdllew@livjm.ac.uk
Longstaff, Jeffrey
Laban Centre
Laurie Grove
New Cross
London S14 6NH
j.longstaff@laban.co.uk
Laban Movement Analysis, especially Rudolf Laban's Choreutics (space harmony),
approached through history, dance practice, expressive and functional
movement, spatial cognition, kinesiology and motor control. Also, various
forms of 'movement writing' or movement notation.
Loukes, Rebecca
Drama Department
University of Exeter
New North Road
Exeter
Devon EX4 4JZ
T: +44 01392 577627
R.M.Loukes@exeter.ac.uk
My current research focuses on body awareness in performance; examining
the radically simple legacy of Elsa Gindler (1885–1961) in theatre
and dance, through practice and writing. PhD by practice.
MacDonald, Claire
185 Sturton Street
Cambridge CB1 2QH
T: +44 01223 510364
chmac.perfres@virgin.net
Between writing and performance: performative critical writing, the relationship
of performance writing and fiction; writing that addresses the page as
an arena for performance; 'writing out loud'. PhD by practice.
Marcalo, Rita
35 Riverside Court
Leeds
LS1 7BU
T: +44 0113 2438983
ritamarcalo@hotmail.com
Research looks at place occupied by dance in the current paradigm for
the exchange of knowledge, and seeks to re-conceptualize such paradigms.
Currently undertaking PhD by practice at University of Surrey.
Merlin, Bella
Drama and Theatre Arts
University of Birmingham
Birmingham B15 2TT
T: +44 0121 414 5995
MERLINB@hhs.bham.ac.uk
Stanislavsky's Active Analysis from acting and directing perspectives,
creating new writing, rehearsing extant texts and addressing actor training.
Messineo, Chiara
18 Angus Drive
Loughborough
Leicestershire LE11 4WH
T: +44 01509 550218
chiaramessineo@yahoo.co.uk
Currently doing PhD by practice on directing multi-media performance;
involved in the creation of short films, documentaries and video installations
inspired by real-life multicultural interfaces.
Metelerkamp, Peter
Department of Drama: Theatre, Film, Television
University of Bristol
Cantocks Close
Woodland Road
Bristol BS8 1UP
T: +44 0117 928 7839
Peter.metelerkamp@bristol.ac.uk
Miller, Lee
/ Whalley, Joanne
Department of Contemporary Arts
Crewe+Alsager Faculty
Manchester Metropolitan University.
Hassall Road
Alsager ST7 2HL
l.miller@mmu.ac.uk / j.l.whalley@mmu.ac.uk
Joint practice-based PhD research project: using collaborative practices,
we are currently exploring through performance the notion of 'non-place'
(Auge) concentrating on a specific area of the M6 motorway.
Morgan, Richard
Huw
418 Cowbridge Road East
Canton
Cardiff
CF5 1JL
T: +44 029 20405770
neudniddeud@hotmail.com
Naish, Jessica
Department of English and Drama
Loughborough University
Ashby Road
Loughborough LE11 3TU
T: +44 01509 269994
j.k.naish@lboro.ac.uk
Embodied approaches to drama and performance in social/educational environments.
Artist in residence PAR project in Primary education; collaborative and
participatory processes of creation based on principles of clowning.
Nelson, Robin
Department of Contemporary Arts
Crewe+Alsager Faculty
Manchester Metropolitan University.
Hassall Road
Alsager ST7 2HL
T: +44 0161 247 5301
R.A.Nelson@mmu.ac.uk
‘Embodied thinking’ and knowledges arts practices might generate.
Works closely with colleagues and PhD students to explore the inside of
an inside-outside relationship in this domain. PARIP Advisory Group member
and regional group coordinator.
Newby, Kenneth
Technical University of British Columbia
2400 Surrey Place
10153 King George Highway
Surrey, BC V3T 2W1
Canada
T: +1 604 586 6038
F: +1 604 586 5237
kenneth.newby@techbc.ca
Newey, Kate
Department of Theatre Studies
Lancaster University
University House
Lancaster LA1 4YW
k.newey@lancaster.ac.uk
Oddey, Alison
Department of English and Drama
Loughborough University
Loughborough LE11 3TU
T: + 44 01509 222970
a.j.l.oddey@lboro.ac.uk
PARIP regional group coordinator
Pearson, Mike
Department of Theatre, Film and Television Studies
Parry-Williams Building
Penglais Campus
University of Wales Aberystwyth
Aberystwyth SY23 3AJ
T: +44 01970 621506
mip@aber.ac.uk
Disciplinary area: performance studies. Interest: physical theatre, devised
performance; site-specific performance; biographical performance; performance
documentation. Current interests: multi-site performance; forensics; ergonomics.
Piccini, Angela
Department of Drama: Theatre, Film, Television
University of Bristol
Cantocks Close
Woodland Road
Bristol BS8 1UP
T: +44 0117 954 5474
a.a.piccini@bristol.ac.uk
PARIP Research Associate and Advisory Group member.
Ptacek, Karla
Department of Drama: Theatre, Film and Television
University of Surrey, Roehampton
Roehampton Lane
London SW15 5PU
k@artificialstage.com
Practice-based Mphil/Phd researcher, Digital Performance, University of
Surrey, Roehampton. Research interests in New Media, postmodernism and
performance, dark comedy, posthuman theory.
Rae, Paul
109b Forburg Rd
London N16 6HR
T: +44 020 88067320
F: +44 020 88067320
paulrae77@hotmail.com
PhD by practice.
Rebellato, Dan
Department of Drama
Royal Holloway, University of London
Egham
Surrey TW20 0EX
T: +44 01784 443922
D.Rebellato@rhul.ac.uk
Playwriting (and translating), specifically interested in magical realism
as a political intervention.
Richardson, Lucy
18 Reynolds Road
London
SE15 3AH
T: +44 0207 639 2776
Lucy.Richardson@WestKing.ac.uk
Rossi, Gian Carlo
54 Pennethorne Road
London
SE15 5TQ
T: +44 020 73916411
F: +44 02073916400
GianCarl.Rossi@westking.ac.uk
Rubidge, Sarah
Creative and Performing Arts
University College Chichester
Bishop Otter Campus
College Lane
Chichester PO19 4PE
T: +44 07960 105316
Sarah@theatr.demon.co.uk
Rye, Caroline
Department of Drama: Theatre, Film, Television
University of Bristol
Cantocks Close
Woodland Road
Bristol BS8 1UP
T: +44 0117 954 5184
c.rye@bristol.ac.uk
PARIP Research Associate and Advisory Group member.
Schwenk, Jesse
Department of Theatre and Media Drama
University of Glamorgan
Llantwit Road
Pontypridd CF37 1DL
T: +44 07980 307702
jschwenk@glam.ac.uk
Schwirtz, Madelon
Fragments and Monuments
117 Milton Grove
London N16 8QX
T: +44 020 7241 0555
madelonschwirtz@hotmail.com
Shepherd, Simon
Central School of Speech and Drama
Embassy Theatre
64 Eton Avenue
London NW3 3HY
shepherd@marlbor.worldonline.co.uk
The body, whether it is performing or watching (if that is a valid binary):
gestural languages, scenic presence, surface, rhythm, noise, celebrity
and authority.
Smart, Jackie
King Alfred's College
Winchester
SO22 4NR
T: +44 01962 827335
J.Smart@wkac.ac.uk
Somers, John
Department of Drama
University of Exeter
New North Road
Exeter EX4 4LA
T: +44 01392 264528
j.w.somers@exeter.ac.uk
Interest in applied drama — drama to bring change. Central concept
‘narrative — especially personal narratives of participants.
Interested in customizing drama experience and affect evaluation.
Taylor, Linda
School of Performance and Cultural Industries
University of Leeds
Bretton Hall Campus
West Bretton
Wakefield WF4 4LG
ltaylor@bretton.ac.uk
Taylor, Millie
King Alfred's College
Winchester
SO22 4NR
T: +44 01962 827446
M.Taylor@wkac.ac.uk
Thumim, Janet
Department of Drama: Theatre, Film, Television
University of Bristol
Cantocks Close
Woodland Road
Bristol BS8 1UP
T: +44 0117 954 5449
Janet.Thumim@bristol.ac.uk
PARIP Advisory Group member.
Tien, Ming-chang
97 B Upper Brockley Road
London SE4 1TF
T: +44 07765 933777
mingchangtien@hotmail.com
Till, Nicholas
Theatre Studies
Wimbledon School of Art
Merton Hall Road
Wimbledon
London SW19 3QA
T: +44 020 8408 5000
ntill@wimbledon.ac.uk
Co-artistic director of experimental music-theatre company Post-Operative
Productions, dedicated to developing critical practice for new music-theatre/opera.
Trimingham, Melissa
School of Performance and Cultural Industries
University of Leeds
Bretton Hall Campus
West Bretton
Wakefield WF4 4LG
trimingham@hotmail.com
Twentieth-century experimental theatre and performance particularly from
a European perspective; cross arts theory and practice, especially visual
art/performance; the theatre of Oskar Schlemmer.
Vallejo, Rogelio
Department of Hispanic Studies
University of Bristol
r.vallejo@bristol.ac.uk
Wang, Ya-wen
36 Grantham Road
Brighton BN1 6EE
T: +44 07780 944932
irenebrighton@hotmail.com
MA student, University of Brighton
White, Christine
Department of English and Drama
Loughborugh University
Loughborough
Leics. LE113TU
T: +44 01509 222970
F: +44 01509 269994
C.A.White@lboro.ac.uk
White, Martin
Department of Drama: Theatre, Film, Television
University of Bristol
Cantocks Close
Woodland Road
Bristol BS8 1UP
T: +44 0117 928 7831
Martin.white@bristol.ac.uk
PARIP Advisory Group member.
Wilson, Julie Amanda
Northern School of Contemporary Dance
98 Chapeltown Road
Leeds LS7 4BH
T: +44 0113 219 3032
Julie.Wilson@nscd.ac.uk
Woods, Pamela
Department of Drama
University of Exeter
New North Road
Exeter EX4 4JZ
p.g.woods@exeter.ac.uk
PhD by practice. Performance and choreography using site as source and
resource for movement and vocal responses. Exploration of continuum from
pure improvisation through to composition.
Wright, Fiona
15h Summerhill Terrace
Newcastle upon Tyne NE4 6EB
T: +44 0191 221 1076
fiona@hell.com
Artist, performer and lecturer. Working through choreography, writing
and installation. Key interests include: solo performance/images of the
lone figure; looking as sensory experience. PhD by practice with Nottingham
Trent University.
Wu, Pei-ying
Flat 2
51 Clarendon Villas
Hove BN3 3RE
T: +44 07747 001686
river_theatre@yahoo.com
PhD by practice at University of Brighton.
Yao, Jo-chieh
Flat 17
72 The Drive
Hove
East Sussex
BN3 3PE
T: +44 07901 826177
F: +44 01273 206757
jochieh@ms18.hinet.net
PhD by practice at University of Brighton.
Yarwood, Toby
Centre for Research and Postgraduate Studies
Dartington College of Arts
Totnes
Devon
TQ9 6EJ
toby_yarwood@hotmail.com
Theory: manipulation of chronological perspective, the dismemberment and
confluence of time with location; Practice: performance areas rendered
interactive to virtual immersion of viewer, mediated via video screens.
PhD by practice.
Zarrilli, Philip
Department of Drama
University of Exeter
New North Road
Exeter EX4 4JZ
P.Zarrilli@exeter.ac.uk
PARIP Advisory Group member.
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