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Publication - Dr Albertine Fox

    Constructing voices in Jean-Luc Godard’s Sauve qui peut (la vie) (1979)

    Citation

    Fox, A, 2014, ‘Constructing voices in Jean-Luc Godard’s Sauve qui peut (la vie) (1979)’. Studies in French Cinema, vol 14., pp. 19-32

    Abstract

    This article offers a new reading of the significance of the soundtrack in Jean-Luc Godard’s Sauve qui peut (la vie)/Slow Motion. It concentrates on the organization of music and the ways in which the often-neglected audio arrangement constitutes an essential part of this film’s structure, content and form. In a series of close readings, the interaction between Gabriel Yared’s electronic theme music and an extract from an operatic aria are brought to the fore and the study culminates in a discussion of the famous diegetic musical passage in the closing tracking sequence. This article draws upon Pierre Schaeffer’s early essay on the relay-arts to investigate the key notion of acousmatic sound in this film, in which the listening body and the process of listening come under the spotlight.

    Full details in the University publications repository