Theatre Collection Live Art Bibliography

The following list is indexed by the first letter of the author's surname.

Click on the relevant letter to jump through the sections.

Publications followed by book icon are available in the Theatre Collection library.

You may also be interested in browsing Arnolfini's Reading Room catalogue.



    Abramovic, Marina, 1980. Relation Work and Detour. Amsterdam: Marina Abramovic and Ulay.

    Abramovic, Marina, 1983. Nightsea Crossing. Amsterdam: Museum Fodor.

    Abramovic,Marina, 1986. Modus Vivendi. Eindhoven: Stedelijk Van Abbemuseum.

    Abramovic, Marina, in collaboration with Charles Atlas,1994. Marina Abramovic. Ostfildern: Cantz.

    Abramovic, Marina, 1995. Cleaning the House. London: Academy Editions. ISBN 1854903993

    Acconci, Vito, 1978. Vito Acconci. Luzern: Kunstmuseum Luzern.

    Acconci, Vito, 1979. Vito Acconci Talks to Louwrien Wijers. Velp: Kantoor Voor Cultuur Extracten.

    Adriani, Götz Konnertz, Winfried and Thomas, Karin, 1979. Joseph Beuys: Life and Works. Woodbury, NY: Barron's Educational Series, Inc.

    Albrecht, Dietrich Feelisch, Wolfgang and Sohm, Hanns, 1973. Milan Knizak. Stuttgart: Reflection Press.

    Allain, Paul, 1998. Gardzienice: Polish Theatre in Transition. London: Harwood Academic Press. ISBN 90-5702-105-6 (hbk), 90-5702-106-4 (pbk).

    Allsop, R and deLahunta, S. The Connected Body. CPR Books.

    Alter, Jean, 1990. A Sociosemiotic Theory of Theatre. Philadelphia: University of Pennsylvania Press.

    Anderson, Laurie, 1984. United States. New York: Harper and Row.

    Andreoli-deVilliers, Jean Pierre, (comp.), 1975. Futurism and the Arts: A Bibliography 1959-73. Buffalo: University of Toronto Press.

    Apollonio, Umbro (ed.), 1973. Futurist Manifestos. Trans. from the Italian by Robert Brain et al. London: Thames and Hudson and New York: The Viking Press. ISBN 0500181381, 0500201323.

    Apple, Jacki,1990. Doing it right in LA: Self producing for the performing artist. Los Angeles: Astro Artz/Fringe.

    Armstrong, Liz et al., 1993. A Publication Called Fluxus. Minnesota: Walker Art Center.

    Artaud, Antonin, 1958. The Theatre and Its Double. Trans. Mary Caroline Richards. New York: Grove Press.

    Ascherson, Neal, 1991. Shocks to the System (Social and political issues in recent British art from the Arts Council collection). London: South Bank Centre.

    Ashley, Kathleen M (ed.), 1990. Victor Turner and the Construction of Cultural Criticism Between Literature and Anthropology. Bloomington: Indiana University Press.

    Aston, Elaine, 1999. Feminist Theatre Practice: A Handbook. London: Routledge. ISBN 0-415-13924-4 (hbk).

    Aue, Walker, 1971. P.C.A.: Projecte, Concepte and Actionen. Cologne: DuMont.

    Auslander, Philip, 1992. Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. Ann Arbor: University of Michigan Press.

    Auslander, Philip, 1997. From Acting to Performance: Essays in Modernism and Postmodernism. London: Routledge. ISBN 0415157862, 0415157870.

    Auslander, Philip, 1999. Liveness: Performance in a Mediatized Culture. Routledge. ISBN 0-415-19689-2 (hbk), 0-415-19690-6 (pbk).

    Ayers, Robert and Butler, David (eds.), 1991. Live Art. Sunderland: AN Publications.

    Ayres, Anne et al., 1988. Chris Burden: A Twenty Year Retrospective Survey. Newport Beach, California: Newport Harbor Art Museum.

    Ay-O et al., 1966. Manifestos. New York: Something Else Press.

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    Trace cover

    Bacon, Julie, Roms, Heike and Durham, Jimmie, 2006. Trace: Installation Art Space, Cardiff 00-05. Seren Books. ISBN 978-1854114082. book icon

    Badovinac, Zdenka, 1999. Body and the East: From the 1960's to the Present. MIT Press. ISBN 0-262-52264-0.

    Ballerini, Julia, 1983. Introduction to Carolee Schneemann: Recent Work. New York: Max Hutchinson Gallery/Documentext.

    Banes, Sally, 1983. Democracy's Body: Judson Dance Theater, 1962-1964. Ann Arbor: University of Michigan Press.

    Banes, Sally, 1987. Terpsichore in Sneakers: Post-Modern Dance. Middletown, Conn.: Wesleylan University Press. ISBN 0819561606 (pbk).

    Banes, Sally, 1993. Greenwich Village 1963: avant-garde performance and the effervescent body. Durham, NC and London: Duke University Press. ISBN 082231357x (hbk), 082231391x (pbk).

    Banes, Sally, 1994. Writing Dancing in the Age of Postmodernism. Hanover, New Hampshire and London: Wesleyan University Press. ISBN 0819562688.

    Banes, Sally, 1998. Subversive Expectations: Performance Art and Paratheater in New York, 1976-1985. Ann Arbor: University of Michigan Press. ISBN 0-472-09678-8 (hbk), 0-472-06678-1 (pbk).

    Bannerman, Christopher, Sofaer, Joshua and Watt, Jane, 2006. Navigating the Unknown. London: Middlesex University Press. ISBN 978-1904750550. book icon

    Barba, Eugenio and Savarese, Nicola (eds.), 1991. The Secret Art of the Performer. Trans. Richard Fowler. London: Routledge.

    Barba, Eugenio. The Dilated Body. CPR Books.

    Barba, Eugenio. The Paper Canoe. CPR Books.

    Barba and Savarese. The Secret Art of the Performer. CPR Books.

    Barrett, Michele and Baker, Bobby (eds.), 2007. Bobby Baker: Redeeming Features of Daily Life. London: Routedge. ISBN 041544411X. book icon

    Battcock, Gregory, 1973. The New Art. 2nd (revised) ed. New York: E.P. Dutton.

    Battcock, Gregory, 1977. Why Art? Casual Notes on the Aesthetics of the Immediate Past. New York: E.P.Dutton.

    Battcock, Gregory and Nickas, Robert (eds.), 1984. The Art of Performance: A Critical Anthology. New York: E.P. Dutton.

    Battcock, Gregory (ed.), 1995. Minimal Art: A Critical Anthology. Introduction by Anne M. Wagner. Berkeley and London: University of California Press. ISBN 0520201477.

    Bauman, Richard, 1977. Verbal Art as Performance. Rowley, Mass.: Newbury House.

    Bauman, Richard,1986. Story, Performance, and Event: Contextual Studies in Oral Narrative. Cambridge and New York: Cambridge University Press. ISBN 0521322235 (hbk), 052131111x (pbk).

    Bauman, Richard, Sawin, Patricia and Carpenter, Inta Gale, 1992a. Reflections on the Folklife Festival: an ethnography of participant experience. Bloomington, Indiana: Indiana University. ISBN 1879407035 (hbk), 1879407027 (pbk).

    Bauman, Richard (ed.), 1992b. Folklore, Cultural Performances and Popular Entertainments: a communications-centred handbook. Oxford and New York: Oxford University Press. ISBN 0195069196 (hbk), 019506920 (pbk).

    Autobituary cover

    Bean, Anne, 2006. Autobituary. Matt's Gallery, London. ISBN 978-0907623519. book icon

    Becker, Jürgen and Vostell, Wolf (eds.), 1965. Happenings, Fluxus, Pop Art, Nouveau Réalisme: Eine Dokumentation. Reinbek bei Hamburg: Rowohlt.

    Belton, John (ed.), 1996. Movies and Mass Culture. Athlone Press. ISBN 0-485-30073-7 (pbk).

    Ben-Amos, Dan and Goldstein, Kenneth S (eds.), 1975. Folklore: Performance and Communication. The Hague: Mouton.

    Benamou, Michel and Caramello, Charles (eds.), 1977. Performance in Postmodern Culture. Milwaukee, Wisc.: Center for Twentieth Century Studies.

    Benedikt, Micheal and Wellwarth, George E (eds.), 1966. Modern French Theater: The Avant-Garde, Dada, and Surrealism: An Anthology of Plays. New York: E.P. Dutton.

    Berg, Eddie, 1995. Video Positive 95. Liverpool: Moviola.

    Bergvall, Caroline, 1996. Eclat. Lowestoft: Sound and Language.

    Bethanien, K (ed.), 1983. Performance: Another Dimension. Berlin: Frolich and Kaufmann Gmbh.

    Beuys, Joseph, 1987. Joseph Beuys: Bits and Pieces. Arnolfini/Richard Demarco/ Red Lion House Publication. ISBN 0-906276-01-2.

    Bharucha, Rustom, 1993. Theatre and the World: Performance and the Politics of Culture. London: Routledge.

    Biner, Pierre, 1964. Le Living Theatre. Lausanne: La Cite.

    Birringer, Johannes, 2000. Performance on the Edge: Transformations of Culture. London: Athlone Press. ISBN 0-485-00418-6 (hbk).

    Blau, Herbert, 1982. Blooded Thought: Occasions of Theatre. New York: Performing Arts Journal Publications.

    Blau, Herbert, 1987. The Eye of Prey. Bloomington: Indiana University Press.

    Blau, Herbert, 1990. The Audience. Baltimore, Maryland: John Hopkins University Press.

    Blau, Herbert, 1992. To All Appearances: Ideology and Performance. London: Routledge

    Boal, Augusto, 1998. Legislative Theatre: Using Performance to Make Politics. Rio de Janeiro: Routledge. ISBN 0-415-18240-9 (hbk), 0-415-18241-7 (pbk).

    Small Acts of Repair cover

    Bottoms, Stephen (ed.), 2007. Small Acts of Repair: Performance, Ecology and Goat Island. Routledge. ISBN 978-0415365154. book icon

    Braden, Susan, 1978. Artists and People. London: Routledge and Kegan Paul.

    Braun, Edward (trans. and ed.), 1969. Meyerhold on Theatre, with a critical commentary. London: Methuen and New York: Hill and Wang. ISBN 0416030505.

    Brecht, George and Filliou, Robert, 1967. Games at the Cedilla, or The Cedilla Takes Off. New York: Something Else Press.

    Brecht, Stefan, 1986. Queer Theatre. London: Methuen.

    Brecht, Stefan, 1988. Peter Schumann's Bread and Puppet Theatre. London: Methuen.

    Brecht, Stefan, 1994. The Theatre of Visions: Robert Wilson. London: Methuen. ISBN 0413495906.

    Bremser, Martha (ed.), 1999. Fifty Contemporary Choreographers. Routledge. ISBN 0-415-10363-0 (hbk), 0-415-10364-9 (pbk).

    Brett, Guy, 1995. Exploding Galaxies - The Art of David Medalla. London: Kala Press and INIVA Publications. ISBN 0947753060.

    Bristol, Michael D, 1985. Carnival and Theatre. New York: Methuen.

    Bronson, A.A. and Gale, Peggy (eds.), 1979. Performance by Artists. Toronto: Art Metropole.

    Butler, Judith, 1990. Gender Trouble: feminism and the subversion of identity. London and New York: Routledge. ISBN 0415900425 (hbk), 0415900433 (pbk).

    Butler, Judith and Scott, Joan W., 1992. Feminists Theorize the Political. London and New York: Routledge. ISBN 0415902746 (hbk), 0415902738 (pbk).

    Butler, Judith, 1993. Bodies That Matter: on the discursive limits of "sex". London and New York: Routledge. ISBN 0415903653 (hbk), 0415903661 (pbk).

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    Cage, John, 1967. A Year from Monday: new lectures and writings. Middletown, Connecticut: Wesleyan University Press.

    Cage, John, 1968. Silence: Lectures and Writings. London: Marion Boyars.

    Cage, John and Knowles, Alison, 1969. Notations, John Cage. New York: Something Else Press.

    Cage, John, 1972. Biology and History of the Future. Edinburgh: Edinburgh University Press.

    Cage, John, 1973. M: Writings '67-'72. Middletown, Connecticut: Wesleyan University Press.

    Cage, John, 1979. Empty Words. Middletown, Connecticut: Wesleyan University Press.

    Cage, John, 1981. For the Birds. London: Marion Boyars.

    Cage, John, 1986. X. Middletown, Connecticut: Wesleyan University Press.

    Cage, John, and Long, Lois, 1988. Mud Book: how to make pies and cakes. New York: Harry N. Abrams. ISBN 0810915332.

    Cage, John and Richard Kostelanetz (comp.), 1989. Conversing with Cage. London: Omnibus.

    Cage, John, 1990a. I-VI. Cambridge, Mass.: Harvard University Press. ISBN 0674440072.

    Cage, John, 1990b. Dancers on a Plane: John Cage, Merce Cunningham, Jasper Johns. Liverpool: Tate Gallery.

    Cage, John, 1993a. Composition in Retrospect. Cambridge, Mass.: Exact Change.

    Cage, John, selected and introduced by Richard Kostelanetz, 1993b. John Cage, writer: previously uncollected pieces. New York: Limelight Editions. ISBN 0879101644 (hbk), 0879101636 (pbk).

    Cameron, Shirley and Silver, Evelyn, 1991. 10 Years of Performance Art 1981-1991. Sheffield: (s.n.).

    Campbell, Patrick (ed.), 1996. Analysing Performance. Manchester: Manchester University Press. book icon

    Carlson, Marvin, 1996. Performance: a critical introduction. London and New York: Routledge. ISBN 0-415-13702-0 (hbk), 0-415-13703-9 (pbk).

    Carr, Cynthia, 1993. On Edge: Performance at the End of the Twentieth Century. Hanover, New Hampshire: University Press of New England.

    Carrieri, Raffaele, 1963. Futurism. Milan: Edizioni del Milione.

    Case, Sue-Ellen, 1988. Feminism and Theatre. New York: Macmillan. ISBN 0-333-39000-8 (pbk).

    Case, Sue-Ellen (ed.),1990. Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore, Md.: John Hopkins University Press.

    Case, Sue-Ellen and Reinelt, Janell, 1991. The Performance of Power. Iowa City: University of Iowa Press.

    Cave, Richard, Woolland, Brian and Schafer, Elizabeth, 1999. Ben Jonson and Theatre: Performance, Practice and Theory. London: Routledge. ISBN 0-415-17980-7 (hbk).

    Catling, Brian, 1990. The Stumbling Block: its Index. London: Book Works.

    Celant, Germano (ed.), 1969. Art Povera: conceptual, actual or impossible art? London: Studio Vista.

    Celant, Germano, 1973. Record as Artwork 1959-1973. London: (s.n.).

    Celant, Germano, 1986. The Course of the Knife: Claes Oldenburg, Coosje van Bruggen, Frank O. Gehry. New York: Rizzoli. ISBN 084780822X.

    Champagne, Lenora, 1984. French Theatre Experiment Since 1968. Epping: Bowker.

    Champagne, Lenora (ed.), 1990. Out from Under: Texts by Women Performance Artists. New York: Theatre Communications Group. ISBN 1559360097.

    Cheney, Sheldon, 1925. The Art Theater. Its character as differentiated from the commercial theater; its ideals and organization; and a record of certain European and American examples. New York: Alfred A. Knopf.

    A Split Second of Paradise cover

    Childs, Nicky and Walwin, Jeni (eds.), 1998. A Split Second of Paradise: Live Art, Installation and Performance. Rivers Oram Press. ISBN 1854890999. book icon

    Clifford, James, 1988. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, Mass.: Harvard University Press.

    Clough, Rosa Trillo, 1969. Futurism - the Story of a Modern Art Movement: A New Appraisal. Westport, Conn.: Greenwood Press. ISBN 0837121663.

    Cohen-Cruz, Jan, 1998. Radical Street Performance: An International Anthology. Routledge. ISBN 0-415-15230-5 (hbk), 0-415-15231-3 (pbk). book icon

    Coult, Tony and Kershaw, Baz (eds.), 1990. Engineers of the Imagination: The Welfare State Handbook. 2nd ed. London: Methuen. ISBN 0 413 52800 6.

    Counsell, Colin. Signs of Performance. CPR Books.

    Craig, Sandy (ed.), 1980. Dreams and Deconstructions: Alternative Theatre in Britain. Ambergate: Amber Lane Press. ISBN 0906399203. book icon

    Crimp, D. (ed.), 1983. Joan Jonas: Scripts and Descriptions. Berkeley: University of California.

    Cunningham, Merce, 1969. Changes: Notes on Choreography. New York: (s.n.).

    Cunningham, Merce, 1991. The Dancer and the Dance. Merce Cunningham in conversation with Jacqueline Lesschaeve. Revised and updated edition. London: Boyars.

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    Davy, K.(ed.) Richard Foreman: Plays and Manifestos. New York: New York University.

    Deeney, John (ed.), 1998. Writing Live: an investigation into the relationship between writing and live art. London: New Playwrights Trust. ISBN 0-9533491-0-1 (pbk).

    Derne, Steve, 2000. Movies, Masculinity and Modernity. Greenwood Press. ISBN 0-313-31287-7 (hbk).

    Diamond, Elin (ed.), 1995. Writing Performances. London: Routledge.

    Diamond, Elin (ed.), 1996. Performance and Cultural Politics. London: Routledge.

    Dickson, Malcolm (ed.), 1995. Art with People. Sunderland: AN Publications. ISBN 0-907730-23-X.

    DiGaetani, John L., 1992. A Search For Postmodern Theatre: Interviews With Contemporary Playwrights. Greenwood Press. ISBN 0-313-27364-2 (hbk).

    Digital Performance cover Dixon, Steve, 2007. Digital Performance. London: MIT Press. ISBN 978-0262042352. book icon

    Dolan, Jill. Presence and Desire. CPR Books.

    Donald, James, 1999. The City of Modern Imagination. London: Athlone Press. ISBN 0-485-00401-1 (hbk), 0-485-00601-4 (pbk).

    Dreyfus, Charles,1989. Happenings and Fluxus. Paris: Galerie 1900-2000.

    Duberman, Martin Bauml, 1972. Black Mountain. An Exploration in Community. New York.

    Dubin, Steven C., 1992. Arresting Images: Impolitic Art and Uncivil Actions. London and New York: Routledge.

    Dunn, Robert, 1962. John Cage: a list of his compositions and a bibliography of works relating to him, with notes by him and with a portrait. New York: Henmar Press.

    Dupuy, J., 1980. Collective Consciousness: Art Performances in the Seventies. New York: Performing Arts Journal Publications.

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    Edelson, Mary Beth, 1980. Seven Cycles: Public Rituals. New York: AIR.

    Elam, Keir, 1980. The Semiotics of Theatre and Drama. London: Methuen.

    Etchells, Tim and Forced Entertainment, 1999. Imaginary Evidence. Foeced Entertainment.

    Etchells, Tim, 2003. Certain Fragments: Texts and Writings of Performance. London and New York: Routledge. ISBN 0-415-17382-5 (hbk), 0-415-17383-3 (pbk).


    Fabian, Johannes, 1990. Power and Performance. Madison: University of Wisconsin Press.

    Ferguson, Russell (ed.), 1998. Out of Actions: Between Performance and the Object 1949 - 1979. The Museum of Contemporary Art, Los Angeles and Thames and Hudson. ISBN 0 500 28050 9.

    Fernandez, J., 1986. Persuasions and Performances: The Play of Tropes in Culture. Bloomington: Indiana University Press.

    Ferris, Lesley, 1993. Crossing the Stage. London: Routledge.

    Foley, Suzanne, 1981. Space, Time, Sound: Conceptual Art in the San Francisco Bay Area in the 1970s. San Francisco, CA.: San Francisco Museum of Modern Art.

    Fori, Simone, 1974. Handbook on Motion. Halifax and New York: Press of Nova Scotia College of Art and Design.

    Foreman, Richard, 1985. Reverberation Machines: The Later Plays and Essays. New York: Station Hill Press.

    Foreman, Richard, 1991. Love and Science: Selected Music-Theater Texts. New York: Theatre Communications Group.

    Foreman, Richard, 1992. Unbalancing Acts: Foundations for a Theatre. New York: Pantheon Books.

    Forti, Simone, 1975. Handbook in Motion. Halifax, Nova Scotia: (s.n.).

    Foster, Gwendolyn A., 2000. Troping The Body: Gender, Etiquette and Performance. Illinois: South Illinois University Press. ISBN 0-8093-2286 (hbk), 0-8093-2287 (pbk).

    Foster, Hal, 1985. Recodings: Art, Spectacle, Cultural Politics. Seattle: Bay Press.

    Foster, Stephen C. (ed.) Dada / dimensions. Ann Arbor, MI.: University of Michigan Research Press and Epping: Bowker. Studies in the fine arts: The avant-garde no. 48.

    Foster, Stephen C. (ed.), 1988. "Event" arts and art events. Ann Arbor, MI.: University of Michigan Research Press and London: (s.n.).

    Foster, Stephen C. (ed.), 1996. Crisis and the Arts: the history of Dada. Vol. 1 Dada: the coordinates of cultural politics. ISBN 0816173540. Vol 2. Dada Zurich: a clown's game for nothing. Ed. Brigitte Pichon and Karl Riha. New York: G.K. Hall and London: Prentice Hall International. ISBN 0816173281.

    Fraleigh, Sondra & Hanstein, Penelope (ed.), 1999. Researching Dance: Evolving Modes of Inquiry. University of Pittsburgh Press. ISBN 0-829-4084-1 (hbk), 0-8229-5684-5 (pbk).

    Blinded by Love cover

    Franko B, 2006. Blinded by Love. Italy: Damiani. ISBN 978-8889431795. book icon

    Friedman, Ken (ed.), 1998. The Fluxus Reader. London: Academy Editions. ISBN 0471978582.

    Furlong, William, 1994. Audio Arts: Discourse and Practice in Contemporary Art. London: Academy Editions. ISBN 1854903632.

    Fusco, Coco, (ed.),1999. Corpus Delecti: Performance Art of the Americas. New York: Routledge. ISBN 0-415-19453-9 (hbk), 0-415-19454-7 (pbk).

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    Garner, Stanton B., Jr,1994. Bodied Spaces: Phenomenology and Performance in Contemporary Drama. Ithaca, N.Y.: Cornell University Press.

    Garoian, Charles R., 1999. Performing Pedagogy: Towards an Art of Politics. State University of New York Press. ISBN 0-7914-4323-X (hbk), 0-9714-4324-8 (pbk).

    Garrard, Rose, 1994. Archiving My Own History, documentation of works 1969-1994. Manchester: Cornerhouse Books. ISBN 1897586078.

    George, Adrian (ed.), 2003. Art, Lies and Videotape: Exposing Performance. Tate Publishing. ISBN 1 85437 525 3.

    Making of a Memory cover

    Gob Squad, 2005. The Making of a Memory. Berlin: Synwolt Verlag. ISBN 3-937065-06-7. book icon

    Live Art Since the 60s

    Goldberg, RoseLee, 1998. Performance: Live Art since the 60s. London: Thames and Hudson. ISBN 0-500-01875-8. book icon

    From Futurism to the Present cover

    Goldberg, RoseLee,1988. Performance Art: From Futurism to the Present. Revised and enlarged edition. London: Thames and Hudson. ISBN 0-500-20214-1. First published 1979 as Performance: Live Art 1909 to the Present. London: Thames and Hudson. book icon

    Gomez-Pena, Guillermo, 2000. Dangerous Border Crossers: The Artist Talks Back. Routledge. ISBN 0-415-18236-0 (hbk), 0-415-18237-9 (pbk). book icon

    Goodman, Lizbeth and De Gay, Jane, 1998. The Routledge Reader in Gender and Performance. London: Routledge. ISBN 0-415-16582-2 (hbk), 0-415-16583-0 (pbk).

    Goodman, Lizbeth and De Gay, Jane, 2000. The Routledge Reader in Politics and Performance. London: Routledge. ISBN 0-415-17472 -4 (hbk), 0-415-17473-2 (pbk). book icon

    Gordon, Mel (ed.), 1987. Dada Performance. New York: PAJ.

    A Performance Cosmology cover

    Gough, Richard, Watt, Daniel Peter and Christie, Julie, 2005. A Performance Cosmology: Testimony from the Future, Evidence of the Past. London: Routledge. ISBN 415372585. book icon

    Green, Shelley, 1994. Radical Juxtaposition: The Films of Yvonne Rainer. Metuchen, N.J. and London: Scarecrow Press. ISBN 0810828634.

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    Hansen, Al, 1965. [1968 - Goldberg] A Primer of Happenings and Time/Space Art. New York: Something Else Press.

    Hapgood, Susan, 1994. Neo Dada: Redefining Art 1958-62. American Federation of the Arts in Association with Universe Publishing.

    Hart, Lynda and Phelan, Peggy (eds.), 1993. Acting Out: Feminist Performances. Ann Arbor: University of Michigan Press. ISBN 0472094793 (hbk), 0472064797 (pbk).

    Haskell, Barbara and Hanhardt, John G., 1991. Yoko Ono: Arias and Objects. Salt Lake City, Utah: Peregrine Smith Books.

    Haskell, Barbara, 1984. Blam! The Explosion of Pop, Minimalism and Performance, 1958-1964. New York and London: Whitney Museum of Modern Art in association with W.W. Norton. ISBN 0874270006.

    Hatoum, Mona, 1993. Mona Hatoum. Bristol: Arnolfini Publications. ISBN 0-907738-33-8.

    Hawthorne, Matt, 2001. The Degenerate Art Book: Haunting Contemporary Culture. Bristol: Arnolfini Live. ISBN 0 907738 67 2.

    Heathfield, Adrian, Fiona Templeton and Quick, Andrew, 1997. Shattered Anatomies: Traces of the Body in Performance. Bristol: Arnolfini Live. ISBN 0 907738540.
    book icon
    This is available in the Theatre Collection library and is also available as an archive item in the Live Art Archives

    Heathfield, Adrian (ed.), 2000. Small Acts: Performance, the Millenium and the Marking of Time. London: Black Dog Publishing. ISBN 1 901033 57 0.

    Live cover

    Heathfield, Adrian (ed.), 2004 Live: Art and Performance. New York: Tate Publishing. ISBN 978-1854375018. book icon

    Heiss, Alanna, 1990. Dennis Oppenheim: Selected Works 1967-90. New York: Institute for Contemporary Art with Harry N. Abrams Inc.

    Hendricks, Jon (ed.), 1989. Yoko Ono: The Bronze Age. (s.l.):Cranbrook Academy of Art Museum.

    Henri, Adrian, 1974. Environments and Happenings. London: Thames and Hudson. ISBN 0-500-18143-8 (hbk), 0-500-20137-4 (pbk).

    Hewison, Robert, 1986. Too Much: Art and Society in the Sixties, [OPAC - part of title? 1960-75]. London: Methuen Paperback.

    Hewison, Robert, 1990. Future Tense (A New Art for the Nineties). London: Methuen.

    Higgins, Dick, 1964. Postface. New York: (s.n.).

    Guerilla Performance and Multimedia cover

    Hill, Leslie and Paris, Helen (eds.), 2001. Guerilla Performance and Multimedia. Dorset: Continuum. ISBN 978-0826453303. book icon

    Hoffman, Jens and Jonas, Joan, 2005. Perform. Thames and Hudson. ISBN 0 500 93006 6

    Hoover, Marjorie L., 1974. Meyerhold: The Art of Conscious Theatre. Amherst, Mass.: University of Massachusetts Press.

    Howell, Anthony and Templeton, Fiona (comp.), 1977. Elements of Performance Art. London: The Ting, Theatre of Mistakes.

    Howell, Anthony, 1983. Notions of a Mirror. London, Anvil Press.

    Howell, Anthony, 1986. In the Company of Others. London: Marion Boyars.

    Howell, Anthony, 1999. The Analysis of Performance Art: A Guide To Its Theory And Practice. Harwood Academic Publishers. ISBN 90-5755-085-7 (hbk), 90-5755-086-5 (pbk).

    Howell, John, 1992. Laurie Anderson. New York: Thunder's Mouth Press,

    Hutcheon, Linda, 1988. A Poetics of Postmodernism. London: Routledge.

    Huxley, Michael and Witts, Noel (eds.), 1996. The Twentieth Century Performance Reader. London and New York: Routledge. ISBN 0415116279 (hbk), 0415116287 (pbk).

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    Innes, Christopher. Avant-Garde Theatre. CPR Books.

    Issacharoff, Michael and Jones, Robin F., 1989. Discourse as Performance. Stanford, California: Stanford University Press.

    Itzin, Catherine (ed.), 1976. Alternative Theatre Handbook 1975 -1976. London [and Los Angeles]: TQ Publications. ISBN 090484403x.

    Itzin, Catherine, 1980. Stages in the Revolution: Political Theatre in Britain Since 1968. London: Eyre Methuen. ISBN 0413461505 (pbk).


    Jarry, Alfred, ca. 1970. Le temps dans l'art. Conférence prononcée par Alfred Jarry au Salon des Indépendants en 1901. Charleville: College de Pataphysique.

    Jarry, Alfred, 1995. Le temps dans l'art. Paris: L'Echoppe.

    Johnson, Ellen Hulda, 1971. Claes Oldenburg. Harmondsworth: Penguin.

    Johnson, Ellen Hulda, 1976. Modern Art and the Object: A Century of Changing Attitudes. London: Thames and Hudson.

    Jones, Amelia and Stephenson, Andrew (ed.), 1999. Performing the Body/Performing the Text. Routledge. ISBN 0-415-19059-2 (hbk), 0-415-19060-6 (pbk)

    Juno, Andrea and Vale, V. (eds.), 1991. Angry Women. San Francisco, CA: RE/Search Publications. ISBN 0940642247.

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    Kahn, Douglas, 1999. Noise, Water, Meat: A History of Voice, Sound and Aurality in the Arts. MIT Press. ISBN 0-262-11243-4.

    Kaprow, Allan, 1966a. Some Recent Happenings. New York: Something Else Press.

    Kaprow, Allan, 1966b. Assemblage, Environments and Happenings. New York: Harry N. Abrams.

    Kaprow, Allan, 1967. Untitled Essay and Other Works. New York: Something Else Press.

    Kaprow, Allan and Kelley, Jeff (ed.), 1993. Essays on the Blurring of Art and Life: Allan Kaprow. Berkeley and London: University of California Press. ISBN 0520205626.

    Kaye, Nick (ed.), 1994. Contemporary Theatre Review: British Live Art. London: Harwood Academic Publishers.

    Kaye, Nick, 1994. New Directions in Theatre - Postmodernism and Performance. London: MacMillan Press.

    Kaye, Nick, 1996. Art into Theatre: Performance Interviews and Documents. London: Harwood Academic Publishers.

    Site-specific Art cover

    Kaye, Nick (ed.), 2000. Site-specific Art: performance, place and documentation. Oxon: Routledge. ISBN 978-0415185592.
    book icon

    Multi-media cover

    Kaye, Nick, 2007. Multi-Media: Video, Installation, Performance. Oxon: Routledge. ISBN 978-0-415-28381-6. book icon

    Franko B cover

    Keidan, Lois and Morgan, Stuart, 2001. Franko B. London: Black Dog Publishing. ISBN 1901033554. book icon

    Kershaw, Baz. The Politics of Performance. CPR Books. book icon

    Kershaw, Baz, 1998. The Radical in Performance: Between Brecht and Baudrillard. London: Routledge. ISBN 0-415-18667-6 (hbk), 0-415-18668-4 (pbk). book icon

    King, E.A., 1988. Barry Le Va: 1966-1988. Pittsburgh: Carnegie Mellon University Press.

    Kirby, E.T., 1969. Total Theatre: A Critical Anthology. New York: E.P. Dutton.

    Kirby, Michael Stanley (ed.), 1965. Happenings: An Illustrated Anthology. New York: E.P. Dutton.

    Kirby, Michael, 1969. The Art of Time. New York: E.P. Dutton.

    Kirby, Michael Stanley (ed.), 1986/1987. Futurist Performance. Manifestos and playscripts translated from the Italian by Victoria Nes Kirby. New York: PAJ Publications.

    Kirby, Michael Stanley, 1978. Photoanalysis: A Structuralist Play. Seoul: (s.n.).

    Kirby, Michael Stanley, 1986. First Signs of Decadence. Schulenburg: I.E. Clark Publishers.

    Kirby, Michael Stanley, 1987. A Formalist Theatre. Philadelphia: University of Pennsylvania Press.

    Kirshner, Judith Russ, 1980. Vito Acconci: A Retrospective 1969 to 1980. Chicago: The Museum of Contemporary Art.

    Kofman, Sarah, 1998. Camera Obscura: Of Ideology. Will Straw, trans. Loondon: Athlone Press. ISBN 0-485-11490-9 (hbk).

    Kostelanetz, Richard (ed.), 1967. The New American Arts. New York: Collier Books and London: Collier-Macmillan.

    Kostelanetz, Richard, 1968. The Theatre of Mixed Means. An Introduction to Happenings, Kinetic Environments and Other Mixed-Means Performances. New York: Dial Press.

    Kostelanetz, Richard (ed.), 1970. Imagined Words and Worded Images. New York: Outerbridge and Dienstfrey.

    Kostelanetz, Richard (ed.), 1980. Scenarios: Scripts to Perform. New York: Assembling Press.

    Kostelanetz, Richard, 1988. Conversing with Cage. New York: Limelight Editions. ISBN 0879101008.

    Kostelanetz, Richard (ed.), 1989. Esthetics Contemporary. Revised edition. Buffalo, N.Y.: Prometheus.

    Kostelanetz, Richard, 1992. On Innovative Art(ist)s: Recollections of an Expanding Field. Jefferson, N.C. and London: McFarland and Co. ISBN 0899506410.

    Kostelanetz, Richard (ed.), 1993a. Writings about John Cage. Ann Arbor: University of Michigan Press. ISBN 0472103482.

    Kostelanetz, Richard, 1993. John Cage, writer: previously uncollected pieces. New York: Limelight Editions. ISBN 0879101644 (hbk), 0879101636 (pbk).

    Kostelanetz, Richard, 1994. On Innovative Performance(s): Three Decades of Recollections on Alternative Theater. Jefferson, N.C. and London: McFarland. ISBN 0899504736.

    Kostelanetz, Richard, 1996. John Cage (ex)plain(ed). New York: Schirmer Books and London: Prentice Hall International. ISBN 002864526x.

    Kostelanetz, Richard (ed.), 1998. Merce Cunningham: Dancing In Space and Time. a Capo Press. ISBN 0-306-80877-3 (pbk).

    Kultermann, Udo, 1971. Art-events and Happenings. Trans. John William Gabriel. London: Mathews Miller Dunbar.

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    La Ribot, 2004. La Ribot Vol I. Luc Derycke. ISBN 1631 414X.

    La Ribot, 2004. La Ribot Vol II. Luc Derycke. ISBN 2 914124 25 2.

    Lacy, Suzanne (ed.), 1995. Mapping the Terrain - New genre public art. San Francisco: Bay Press.

    Labelle-Rojoux, Arnaud, 1988. L'acte pour l'art. Paris: Editeurs Evidant.

    Lane, Christina, 2000. Feminist Hollywood: From "Born in Flames" to "Point Break". Wayne State University Press. ISBN 0-8143-2799-0 (hbk), 0-8143-2922-5 (pbk).

    Layzell, Richard, 1993. Live Art in Schools. London: Arts Council of England Publications. ISBN 0-7287-0671-7.

    Lebel, Jean-Jacques, [OPAC 1966] 1967. Le Happening. Paris: Donoel et Les Lettres Nouvelles.

    Lebel, Jean-Jacques, 1969. Entretiens avec le living theatre. Paris: Editions Pierre Belfond.

    Le Va, Barry, 1978. Barry Le Va: Four Consecutive Installations and Drawings 1967-1978. New York: The New Museum.

    Levy, Deborah (ed.), 1992. Walks on Water. London: Methuen Drama. ISBN 0413671208.

    Ligare, D., 1979. Barry Le Va Drawings 1967-77. Salinas, CA.: Hartnell College Gallery.

    Linker, Kate, 1994. Vito Acconci. New York: Rizzoli. ISBN 0847816451.

    Lippard, Lucy, 1973. Six Years. The Dematerialization of the Art Object from 1966-1972. New York.

    Lista, Giovanni, 1973. Futurisme: Manifestes, Proclamations, Documents. Lausanne: L'Age d'Homme.

    Lista, Giovanni, 1976. Theatre futuriste italien. Lausanne: (s.n.).

    Lista, Giovanni, 1976. Marinetti. Paris: Seghers.

    Lista, Giovanni, 1977. Marinetti et le futurisme: études documents, iconographie. Lausanne: L'Age d'Homme.

    Lista, Giovanni, 1984. Le livre futuriste: de la libération du mot au poème tactile. Modena: Panini.

    Lista, Giovanni, 1989. La scène futuriste. Paris: CNRS.

    Lista, Giovanni, 1991. Les avant-gardes: Giovanni Lista, Serge Lemoine, Andrei Nakov. Paris: Hazan.

    Locus+ (eds.), 2001. Small Time Life: Andre Stitt. London: Black Dog Publishing. ISBN 1 901033 67 8.

    Lutze, Peter C., 1998. Alexander Kluge: The Last Modernist. Wayne State University Press. ISBN 0-8143-2656-0 (pbk).

    Lyotard, Jean-Francois, 1979. La condition postmoderne: rapport sur le savoir. Paris: Les Editions de Minuit.

    Lyotard, Jean-Francois, 1990. Duchamp's TRANS/formers. Venice, CA.: Lapis Press.

    Lyotard, Jean-Francois, 1991a. Phenomenology. Trans. Brian Beakley. Albany: State University of New York Press. ISBN 0791408051 (hbk), 079140806x (pbk).

    Lyotard, Jean-Francois, 1991b. The Inhuman: Reflections on Time. Trans. Geoffrey Bennington and Rachel Bowlby. Cambridge: Polity Press. ISBN 0745612385 (hbk), 0745607721 (cased).

    Lyotard, Jean-Francois (ed.), Harvey, Robert and Roberts, Mark S., 1993. Towards the Postmodern: Jean-Francois Lyotard. Atlantic Highlands, N.J. and London: Humanities Press International.

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    MacAloon, John J. (ed.), 1984. Rite, Drama, Festival, Spectacle: Rehearsals Toward a Theory of Cultural Performance. Philadelphia: Institute for the Study of Human Issues.

    Maciunas, George (ed.), 1963. Fluxus I: An Anthology. New York: ReFlux Editions.

    MacLennan, Alastair, 1988. Is No. Bristol: Arnolfini. ISBN 0-907738-20-6.

    Marinetti, Filippo Tommaso, 1919. Le théâtre futuriste synthétique. Manifeste. Milan: Direction du Mouvement Futuriste.

    Marinetti, Filippo Tommaso and Giovanni Calendoli (ed.), 1960. Teatro F.T. Marinetti. (3 vols). Rome: (s.n.).

    Marinetti, Filippo Tommaso and R.W.Flint (ed.), 1971. Selected Writings. New York: (s.n.).

    Marranca, Bonnie (ed.), 1977. The Theatre of Images. New York: Drama Book Specialists.

    Marranca, Bonnie, 1984. Theatrewritings. New York: Performing Arts Journal Publications. ISBN 0933826672 (hbk), 0933826680 (pbk).

    Marranca, Bonnie and Gautam Dasgupta (eds.), 1991. Interculturalism and Performance. New York: PAJ.

    Marranca, Bonnie, 1996. Ecologies of Theater: Essays at the Century Turning. Baltimore, Md. and London: John Hopkins University Press. ISBN 0801852722 (hbk), 0801852730 (pbk).

    Marsh, Anne, 1993. Body and self: performance art in Australia 1969-1992. Melbourne: Oxford University Press, Australia. ISBN 0-19-553306-5.

    Martin, Marianne W., 1968. Futurist Art and Theory, 1909-1915. Oxford: Clarendon Press.

    Martin, Randy, 1990. Performance as Political Act: The Embodied Self. New York and London: Bergin and Garvey.

    Mason, Bim, 1992. Street Theatre and Other Outdoor Performance. London: Routledge. book icon

    Mennekes, Friedhelm, 1992. Joseph Beuys: Manresa, eine Fluxus-Demonstration als geistliche Ubung zu Ignatius von Loyola. Frankfurt am Main: Insel.

    Meyer, Ursula, 1972. Conceptual Art. New York: E.P. Dutton.

    Milling, Jane and Ley, Graham, 2001. Modern Theories of Performance. London: Macmillan. ISBN 0-333-77541-4 (hbk)
    0-333-77541-4 (pbk).

    Mitry, Jean, 1998. The Aesthetics and Psychology of the Cinema. Christopher King, trans. London: Athlone Press. ISBN 0-485-30084-2 (hbk).

    Mitry, Jean, 2000. Semiotics and the Analysis of Film. Christopher King, trans. London: Athlone Press. ISBN 0-485-11532-8 (hbk), 0-485-12151-4 (pbk).

    Montano, Linda, 1981. Art in Everyday Life. Barrytown, New York, Los Angeles: Station Hill Press and Astro Artz.

    Monte, J., 1969. Anti-Illusion: Procedures/Materials. New York: Whitney Museum of American Art.

    Morgan, Robin, 1977. Going Too Far. New York: Random House.

    Mudford, Peter, 2000. Making Theatre: From Text to Performance. London: Athlone Press. ISBN 0-485-11551-4 (hbk), 0-485-12158-1 (pbk).

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    Nachtigaller, Roland and von Velsen, Nicola (eds.), 1992. 3 Vols. Documenta IX. Stuttgart: Edition[s] Cantz. ISBN 3893223819 (pbk set).

    Naumann, Francis M. (ed.), 1999. The Selected Correspondence of Marcel Duchamp. London: Thames and Hudson. ISBN 0-500-019584.

    Performancemania cover

    Newman, Hayley, 2001. Performancemania. London: Matt's Gallery. ISBN 978-0907623373. book icon

    Nitsch, Hermann, 1969. Orgien, Mysterien, Theater. Orgies, Mysteries, Theatre. German and English. Darmstadt.

    Nuttall, Jeff, 1968a. Bomb Culture. London: MacGibbon & Kee.

    Nuttall, Jeff, 1968b. Journals. Brighton: Unicorn Bookshop.

    Nuttall, Jeff, 1979. Performance Art: Memoirs (Volume 1). London: John Calder Press and Dallas, Texas: Riverrun Press. ISBN 0-7145-3711-X (hbk), 0-7145-3788-8 (pbk).

    Nuttall, Jeff, 1979. Performance Art: Scripts (Volume 2). London: John Calder Press and Dallas, Texas: Riverrun Press. ISBN 0-7145-378-96.


    Oddey, Alison, 1994. Devising Theatre: A Practical and Theoretical Handbook. London: Routledge. ISBN 0415048990.

    Oguibe, Olu and Enwezor, Okwui (ed.), 1999. Reading the Contemporary: Arfrican Art from Theory to the Marketplace. MIT Press. ISBN 0-262-65051-7.

    Oldenburg, Claes Thure, and Williams, Emmett (selectors), 1967. Store Days. Documents from The Store, 1961, and Ray Gun Theater, 1962. New York: Something Else Press.

    Oldenburg, Claes, 1971. Notes in Hand. Switzerland: Petersburg Press.

    Oldenburg, Claes, 1973. Raw Notes. Halifax, Canada: Nova Scotia College of Art and Design.

    Oldenburg, Claes, 1991. Claes Oldenburg: Multiples in Retrospect, 1964-1990. New York: Rizzoli. ISBN 0847813355.

    Oldenburg, Claes, 1995a. Claes Oldenburg: An Anthology. New York: Guggenheim Museum. ISBN 0810968878 (hbk), 0892071397 (pbk).

    Oldenburg, Claes, 1995b. Large-scale Projects: Claes Oldenburg, Coosje van Bruggen. London: Thames and Hudson. ISBN 0500236992.

    Oppenheim, Dennis, 1990. Dennis Oppenheim Retrospective 1970-1990. Athens: Perides Museum of Contemporary Art.

    Orridge, Genesis P. and Naylor, Colin (eds.), 1978 [OPAC 1977]. Contemporary Artists. London and New York: St James Press.

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    Parker, Andrew and Kosofsky Sedgwick, Eve (eds.), 1995. Performativity and Performance. London and New York: Routledge. ISBN 0415910544 (hbk), 0415910552 (pbk).

    Pavis, Patrice, 1982. Languages of the Stage: Essays in the Semiology of the Theatre. New York: Performing Arts Journal. ISBN 093382615X, 0933826141.

    Pavis, Patrice, 1985. Voix et images de la scène: vers une sémiologie de la réception. Revised and extended edition. Lille: Presses Universitaires de Lille.

    Pavis, Patrice, 1992. Theatre at the Crossroads of Culture. Trans. Loren Kruger. London: Routledge. ISBN 0415060370 (hbk), 0415060389 (pbk).

    Pavis, Patrice (ed.), 1996. The Intercultural Performance Reader. London: Routledge. ISBN 0415081X (hbk), 0415081548 (pbk).

    Performing Arts Journal, 1981. American Dreams: The Imagination of Sam Shepard. New York: Performing Arts Journal Publications. ISBN 0933826125, 0933826133.

    Performing Arts Journal, 1991. Interculturalism and Performance: Writings from PAJ. New York: PAJ Publications. ISBN 1555540570 (hbk), 1555540589 (pbk).

    Phelan, Peggy, 1993. Unmarked: The Politics of Performance. London: Routledge. ISBN 0415068215 (hbk), 0415068223 (pbk).

    Phelan, Peggy. Mourning Sex. CPR Books.

    Philips, Andrea (ed.), 1998. "Out of Time". Hull: HTBA publication. ISBN 0953162303.

    Pollock, Della (ed.), 1998. Exceptional Spaces: Essays in Performance and History. The University of North Carolina Press. ISBN 0-8078-2378-3 (hbk), 0-8078-4684-8 (pbk).

    Pontbraid, C., 1980. Performance: Text(e)s and Documents. Montreal: Parachute.

    Pratt, Mary Louise, 1977. Towards a Speech-Act Theory of Literary Discourse. Bloomington: Indiana University Press.


    No publications


    Rainer, Yvonne, 1974. Work 1961-73. Halifax, Nova Scotia and New York: Nova Scotia College of Art and Design and New York University.

    Rainer, Yvonne, 1989. The Films of Yvonne Rainer. Bloomington: Indiana University Press. ISBN 0253349060 (hbk), 0253205425 (pbk).

    Ratcliffe, Carter, 1986. Gilbert and George: The Complete Pictures 1971-1985. New York and London: (s.n.).

    Ratcliffe and Rosenblum. Gilbert and George: The Singing Sculpture. CPR Books.

    Read, Alan, 1993. Theatre and Everyday Life: An Ethics of Performance. London: Routledge.

    Readings, Bill, 1991. Introducing Lyotard: Art and Politics. London: Routledge.

    Reinelt, Janelle G. and Roach, Joseph R. (eds.), 1992. Critical Theory and Performance. Ann Arbor: University of Michigan Press. ISBN 0472094580.

    Rice, Shelley (ed.), 1999. Inverted Odysseys: Claude Cahun, Maya Deren, Cindy Sherman. MIT Press. ISBN 0-262-68106-4.

    Rich, B. Ruby, 1981. Yvonne Rainer. Minneapolis: Walker Art Center.

    Rischbieter, Henning, 1969. Art and the Stage in the Twentieth Century. Greenwich, Conn.: (s.n.).

    Roose-Evans, James. Experimental Theatre. CPR Books.

    Rose, Barbara, 1967. American Art Since 1900. London and New York.

    Roth, Moira (ed.), 1983 [1982 - Goldberg]. The Amazing Decade: Women and Performance Art in America, 1970-1980. Los Angeles: Astro Artz.

    Rhowbotham, Kevin, 1997-98. Form to Programme. London: Black Dog Publishing Limited. ISBN 1-901033-70-8.

    Royal Academy of Arts, 1972-3. Futurismo 1909-1919. Exhibition catalogue. London: Royal Academy.

    Rush, Michael, 1999. New Media in Late 20th-Century Art. London: Thames and Hudson. ISBN 500-203296.

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    Saint-Point, Valentine de, 1996. Manifeste de la femme futuriste suivi de Manifeste futuriste de la luxure le théâtre de la femme La Métachorie Valentine de Saint-Point présentation de Giovanni Lista. Paris: Séguier.

    Sandford, Mariellen R. (ed.), 1995. Happenings and Other Acts. London: Routledge. book icon

    Sanovillet, Michel and Peterson, Elmer (eds.), 1973. Salt Seller, The Writings of Marcel Duchamp (Marchanel due Sal). New York: Oxford University Press.

    Savran, David, 1986. Breaking the Rules: The Wooster Group 1975-1985. New York: Theatre Communications Group.

    Sayre, Henry M., 1989. The Object of Performance: The American Avant-Garde Since 1970. Chicago: University of Chicago Press.

    Schechner, Richard, 1965. Rites and Symbols of Initiation. New York: Harper.

    Schechner, Richard, 1969. Public Domain: Essays on the Theatre. Indianapolis, Ill. and New York: Bobbs-Merrill Co.

    Schechner, Richard (ed.), 1970. The Performance Group: Dionysus in 69. New York: Farr, Strauss and Giroux.

    Schechner, Richard, 1994. Environmental Theatre. Expanded new edition. New York and London: Applause. ISBN 1557831785.

    Schechner, Richard, 1977. Essays on Performance Theory, 1970-76. New York: Drama Book Specialists.

    Schechner, Richard, 1982. The End of Humanism: Writings on Performance. New York: Performing Arts Journal Publications. ISBN 0933826192, 0933826184.

    Schechner, Richard, 1983. Performative Circumstances: From the Avant-garde to Ramlila. Calcutta: Seagull.

    Schechner, Richard, 1985. Between Theatre and Anthropology. Philadelphia: University of Pennsylvania Press. ISBN 0812279298.

    Schechner, Richard, 1988. Performance Theory. 2nd (revised and expanded) edition. London and New York: Routledge. ISBN 0415900921 (hbk), 041590093X (pbk).

    Schechner, Richard. The Future of Ritual. CPR Books.

    Schechner, Richard, and Appel, Willa (eds.), 1990. By Means of Performance: Intercultural Studies of Theatre and Ritual. Cambridge: Cambridge University Press. ISBN 0521339154 (pbk).

    Schechner, Richard, 1993. The Future of Ritual: Writings on Culture and Performance. London and New York: Routledge. ISBN 0415046890.

    Schneemann, Carolee, 1979. More Than Meat Joy: Complete Performance Works and Selected Writings. New York: McPherson.

    Schneider, Rebecca. The Explicit Body In Performance. CPR Books.

    Schonfield, Katherine, 2000. Architechture / Film: Building Cities Out of Fictions. London: Athlone Press. ISBN 0-485-00413-5 (hbk), 0-485-00611-1 (pbk).

    Senelick, Laurence, 2000. The Changing Room: Sex, Drag and Theatre. New York: Routledge. ISBN 0-415-10078-X (hbk), 0-415-15986-5 (pbk).

    Shank, Theodore, 1982. American Alternative Theatre. London: Macmillan. ISBN 0333288858 (pbk).

    Shank, Theodore (ed.), 1994. Contemporary British Theatre. London: MacMillan Press.

    Shapiro, Bruce G., 1999. Reinventing Drama: Acting, Iconicity, Performance. Greenwood Press. ISBN 0-313-30938-8 (hbk).

    Shattuck, Roger, 1968. The Banquet Years: The Origins of the Avant-Garde in France, 1885 to World War 1: Alfred Jarry, Henri Rousseau, Erik Satie, Guillaume Apollinaire. Revised edition. New York: Vintage Books. First edition 1959 London: Faber and Faber.

    Shyer, Laurence, 1989. Robert Wilson and his Collaborators. New York: Theatre Communications Group.

    Stelarc cover

    Smith, Marquard (ed.), 2005. Stelarc. Cambridge: MIT Press. ISBN 0262693607. book icon

    Sofaer, Joshua, 2004. The Performance Pack. London: Tate Modern and the Live Art Development Agency. ISBN 0 9546040 1 6.

    Sohm, Hans (ed.), 1970. Happening and Fluxus. Exhibition catalogue. Cologne: Kunstverein.

    Spoerri, Daniel, 1966. An Anecdoted Topography of Chance. New York: Something Else Press.

    Sprengel, 1986. Milan Knizak. Hanover: Sprengel.

    Springer, Claudia, 1996. Electronic Eros: Bodies and Desire in the Postindustrial Age. Athlone Press. ISBN 0-485-30077-X (hbk), 0-485-30078-8 (pbk).

    Spurlock, W.H., 1977. Barry Le Va - Accumulated Vision: Extended Boundaries. Dayton, Ohio: Wright State University Galleries.

    States, Bert O., 1985. Great Reckonings in Little Rooms: On the Phenomenology of Theater. Berkeley: University of California Press.

    Stern, Carol Simpson and Henderson, Bruce, 1993. Performance: Texts and Contexts. White Plains, N.Y.: Longmans.

    Stewart, Nick, 1995. Neither Time nor Material. Dublin: Orchard Gallery.

    Small Time Life cover

    Stitt, Andre, 2001. Small Time Life. Black Dog, London. ISBN 978-1901033670. book icon

    Artist Body: Marina Abramovic cover

    Stoos, Toni (ed.), 1998. Artist Body: Marina Abramovic, Performances 1969 - 1997. Milan: Edizioni Charta. ISBN 978-8881581757. book icon

    Sundell, Nina, 1984. Rauschenberg/Performance 1954-1984. Cleveland: Cleveland Center for Contemporary Art.

    Szczelkun, Stefan (ed. and comp.), 1987. Collaborations: Routine Art Co. London: Working Press.

    Szczelkun, Stefan. Head of Heads. London: Working Press.

    Szczelkun, Stefan, 1990. Class Myths and Culture. London: Working Press. ISBN 1 870736 03 6.

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    This Will Not Happen Without You cover

    Tarbuck, Jonty and Hearn, Matt (eds.), 2007. This Will Not Happen Without You - from the collective archive of The Basement Group, Projects UK and Locus+ (1977-2007). Locus+. ISBN 978-1899377251 . book icon

    Taylor, Joshua C., 1961. Futurism. New York: Museum of Modern Art.

    Templeton, Fiona and Howell, Anthony, 1976. Elements of Performance Art. London: Ting Books.

    Templeton, Fiona, 1984. London. Los Angeles: Sun & Moon Press.

    Templeton, Fiona, 1990. You - The City. New York: Roof Books. ISBN 093780438X.

    Templeton, Fiona, Heathfield, Adrian and Quick, Andrew (eds.), 1997. Shattered Anatomies. Bristol: Arnolfini Live.

    Templeton, Fiona (feature ed.). Big Allis -vol 8. New York. ISSN 1043-9978.

    Templeton, Fiona, 1997. oops the join. Cambridge: Rempress.

    Templeton, Fiona, 1997. Hi Cowboy. London: Mainstream.

    Templeton, Fiona, 1997. Cells of Release. New York: Roof Books.

    Templeton, Fiona, 1999. Delirium of Interpretations. Los Angeles: Green Integer Books.

    Thistlewood, David (ed.), 1995. Joseph Beuys: Diverging Critiques. Liverpool: Tate Gallery and Liverpool University Press. ISBN 0853233497.

    Tisdall, Caroline, and Bozzolla, Angelo, 1977. Futurism. London: Thames and Hudson.

    Tisdall, Caroline, 1979. Joseph Beuys. London: Thames and Hudson.

    Tisdall, Caroline, 1983?. Chronology of Events in Italy 1960-1982. London: Arts Council of Great Britain.

    Tomkins, Calvin, 1976. The Bride and the Bachelors: Five Masters of the Avant-Garde. Expanded edition. Harmondsworth: Penguin. First published 1965 as The Bride and the Bachelors: The Heretical Courtship in Modern Art. London: Weidenfeld and Nicolson.

    Tomkins, Calvin, 1996. Duchamp: A Biography. New York: H. Holt. ISBN 0805008233.

    Tufnell, Miranda and Crickmay, Chris (eds.), 1990. Body, Space, Image: Notes Towards Improvisation and Performance. London: Virago. ISBN 1-853811-31-9.

    Turner, Victor Witter, 1979. Process, Performance and Pilgrimage: A Study in Comparative Symbology. New Delhi: Concept.

    Turner, Victor Witter, 1982a. From Ritual to Theatre: The Human Seriousness of Play. New York: Performing Arts Journal Publications. ISBN 0933826176, 0933826168.

    Turner, Victor Witter, 1986. The Anthropology of Performance. New York: Performing Arts Journal Publications.

    Turner, Victor Witter and Turner, Edith (ed.), 1992. Blazing the Trail: Way Marks in the Exploration of Symbols. Tucson: Universtiy of Arizona Press. ISBN 0816512914.

    Turner, Victor Witter, 1995. The Ritual Process: Structure and Anti-Structure. New York: Aldine de Gruyter. ISBN 0202011909.

    Tushingham, David, 1998. LIVE 4 - Freedom Machine. Nick Hern Books. ISBN 1-85459-380-3.

    Tushingham, David, 1998. LIVE 5 - My Perfect Theatre. Nick Hern Books. ISBN 1-85459-328-5.

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    Ugwu, Catherine (ed.), 1995. Lets Get It On - The Politics of Black Performance. London: Institute of Contemporary Arts and Seattle: Bay Press. ISBN 0905263642, 094192033X (U.S.).


    Vanden Heuvel, Michael, 1991. Performing Drama/Dramatizing Performance: Alternative Theater and the Dramatic Text. Ann Arbor: University of Michigan Press. ISBN 0472102400.

    Van Kerkhoven, Marianne (ed.), 1996. Theaterschrift. Brussels: Kaaitheater.

    Vautier, Ben, 1975. Me Ben I Sign. Translated from the French by David Mayor. Cranleigh: Beau Geste Press.

    Encounters cover

    Vason, Manuel, 2007. Encounters: Performance, photography, collaboration. Bristol: Arnolfini Gallery Ltd. ISBN 978-0907738848. book icon

    Exposures cover

    Vason, Manuel, Keidan, Lois and Athey, Ron, 2002. Exposures. London: Black Dog Publishing in association with the Live Art Development Agency. ISBN 978-1901033878. book icon

    Vergine, Lea, 2000. Body Art and Performance: The Body as Language. Revised and expanded. Skira. ISBN 88 8118 689 6.


    Walker, John A., 1993a. Art and Artists on Screen. Manchester: Manchester University Press. ISBN 0719037808 (hbk), 0719037816 (pbk).

    Walker, John A., 1993b. Arts TV: A History of Arts Television in Britain. London: Libbey. ISBN 0861964357.

    Walker, John A., 1994. Art in the Age of Mass Media. Revised edition. London: Pluto. ISBN 0745308325 (hbk), 0745308317 (pbk) [First published 1983].

    Walker, John A., 1995. John Latham - the incidental person, his art and ideas. London: Middlesex University Press. ISBN 1898253021.

    Walther, Franz Erhard, 1977. Arbeiten 1969-1976. Exhibition catalogue. Sao Paolo, Brazil

    Walwin, Jeni, 1997-98. LOW TIDE Writngs on Artistic Collaborations. Black Dog Publishing Limited. ISBN 1-901033-85-6.

    Walwin, Jeni and Watson, Gray (eds.), 1987. Live Art Now. London: Arts Council of Great Britain.

    The Artist's Body cover

    Warr, Tracey and Jones, Amelia, 2000. The Artist's Body. London: Phaidon. ISBN 978-0714847016. book icon

    Franko B - Oh Lover Boy cover

    Watson, Gray, Vason, Manuel and Wilson, Sarah, 2001. Franko B - Oh Lover Boy. London: Black Dog Publishing. ISBN 978-1901033823. book icon

    Waugh, Mark (ed.), 2001. I Love Live Art. Arts Council of England. ISBN 0 7287 0812 4.

    Whitmore, John. Directing Postmodern Theatre. CPR Books.

    White, Tony (ed.), 1997. Critical Texts - The Vanishing History of Performance Art. London: The Arts Council of England publications.

    Walking to Work cover

    Whitehead, Simon, 2006. Walking to Work. Shoeless Publications. ISBN 095540200X. book icon

    Wiles, Timothy, 1980. The Theater Event: Modern Theories of Performance. Chicago and London: University of Chicago Press.

    Wilkinson, Samantha (ed.), 1996. Locus+ 1993-1996. Newcastle-upon-Tyne: Locus+.

    Williams, Linda, 1995. Viewing Positions: Ways of Seeing Films. Athlone Press. ISBN 0-485-30075-3 (pbk).

    Witts, Noel (ed.). Twentieth Century Performance Reader. CPR Books.


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