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Programme code | 1DRAM020U |
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Programme type | Joint Honours (UG) |
Programme director(s) |
Siobhan Shilton (French)
Paul Clarke (Theatre) |
Faculty | Faculty of Arts |
School/department | Department of Theatre |
Second School/department | Department of French |
Teaching institution | University of Bristol |
Awarding institution | University of Bristol |
Relevant QAA subject benchmark groups |
Dance, drama and performance (2019) (benchmark statement)
Languages, Cultures and Societies (2023) (benchmark statement) |
Mode of study | Full Time |
Programme length | 4 years (full time) |
Theatre and French are complementary subjects that are mutually reinforcing. The Joint Honours programme allows students to enrich their understanding of Theatre and Performance through the study of French culture and language, and vice versa. This programme provides an opportunity for those students who wish to pursue studies in both subjects. Students spend half of their time in each Department, and are taught separately in each subject. In Theatre, students follow a comparable developmental path to Single Honours students but take fewer practical options (some practical units are still available to Joint Honours students). Students spend their third year studying or working in a French-speaking country, enriching their cultural knowledge and exposing them to diverse learning opportunities. Students conclude their Theatre and Performance studies in their fourth year.
The theatre component is designed to provide students with a deep understanding of performance/theatre, and to equip them to use the critical, theoretical and practical skills central to the discipline. Through historical and conceptual study, the programme enables students to analyse, research, interpret and understand performance/theatre from a critically and contextually informed perspective, and in certain options such as Melodrama, make comparative and cross-disciplinary connections. In addition to detailed and rigorous critical, historical and theoretical enquiry, the students also explore practical and creative approaches in some options. Final-year students will select independent study options, in which they can gain experience working in the creative industries, develop a practical project of their own devising, or produce an extended piece of scholarly writing. Having gained a combination of specialised and transferable skills, students are well-equipped to pursue a range of careers relating to the contemporary creative industries and arts-related professions, and within academic, professional and managerial sectors.
The study of French language is a central component in all years – students have three hours of language tuition per week. In the first year students take the same combination of French units, providing a grounding in the three main areas of the Department's work: language, cultural production and society. In the second year students choose from a range of optional units, allowing them to weight their studies more heavily towards literature, visual culture or society eg: The French Novel, French Drama, French Medieval and Renaissance Literature. The third year is spent abroad in a French speaking country and students have to write a dissertation in French on a cultural topic related to the location of their placement. In the final year students make an informed choice of units on the basis of their experience.
Programme Intended Learning Outcomes | Learning and Teaching Methods |
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Theatre component Acquisition of knowledge and understanding through lectures and seminars (1-7, 10) Set and directed viewings and visits to performances, and directed reading, with a strong emphasis on primary materials (1-8, 10, 12) Seminars and small-group tutorials to encourage student participation and advance understanding of difficult materials (1-12) Seminars and workshops to develop student creative and practical production skills acquisition (5, 6, 8-12) Production meetings and supervisions to provide formative feedback and develop student skills in practical project realisation (5, 6, 8-12) Tutorials and supervisions to provide formative feedback and develop student skills in presentation and essay writing (1-7, 10, 12) French component Acquisition of knowledge and understanding through lectures, seminars and tutorials.(1-8) Directed reading with a strong emphasis on primary materials in French. (1-8) Independent learning is achieved through written coursework and preparation for oral presentations. (1-3) Use of student group-work to develop ideas and understanding. (1, 2, 7) Use of student seminar presentations promoting team skills of co-operation and responsibility. (1, 2) Formative feedback on assessment is given through tutorials and written comments. Language is taught in mandatory intensive units under the guidance of teachers who are native French speakers or who have near-native competence. Formal grammar teaching using a specially designed coursebook. (1-3) Compulsory period of residence in a French-speaking country. (1, 2, 4-6, 8) Availability of self-access resources. (1-3) |
Methods of Assessment | |
Theatre component Coursework analytical and research essays (1-7, 10) Individual and group presentations (1-8, 10, 12) Practice-based presentations and performances (1-12) Workfiles, journals and vivas (1-12) French component Regular language exercises (translations, essays, comprehension, grammar exercises, oral presentations and aural comprehension) during academic session. (1-3) Examinations (unseen) in all three years testing breadth of knowledge of different subjects. (1-3) Range of short and extended essays, testing ability to present and analyse a single topic in detail. (1-8) Oral presentations. (1, 4) Class tests, assessing knowledge of basic factual data. (3, 7) Coursework dissertations completed during the session abroad. (1, 2, 4, 8) Special subjects to allow final-year students to investigate areas in depth, with the option of a dissertation researching a subject of their own choice in detail. (2-8) Practical exercises and most class tests are formative; essays and certain class tests are both formative (with feedback to help students improve their performance) and summative (marks contributing to the final degree). Examinations and the final-year dissertations are summative. |
Programme Intended Learning Outcomes | Learning and Teaching Methods |
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|
Theatre component Acquisition of knowledge and understanding through lectures and seminars (1, 2, 4-6, 9) Set and directed viewings and visits to performances, and directed reading, with a strong emphasis on primary materials (1, 2, 4-6) Seminars and small-group tutorials to encourage student participation and advance understanding of difficult materials (1, 2, 4-10) Seminars and workshops to develop student creative and practical production skills acquisition (1-3, 5, 6, 10-16) Production meetings and supervisions to provide formative feedback and develop student skills in practical project realisation (3, 9-14, 16) Tutorials and supervisions to provide formative feedback and develop student skills in presentation and essay writing (1, 2, 4-9) French component Acquisition of knowledge and understanding through lectures, seminars and tutorials.(1-8) Directed reading with a strong emphasis on primary materials in French. (1-8) Independent learning is achieved through written coursework and preparation for oral presentations. (1-3) Use of student group-work to develop ideas and understanding. (1, 2, 7) Use of student seminar presentations promoting team skills of co-operation and responsibility. (1, 2) Formative feedback on assessment is given through tutorials and written comments. Language is taught in mandatory intensive units under the guidance of teachers who are native French speakers or who have near-native competence. Formal grammar teaching using a specially designed coursebook. (1-3) Compulsory period of residence in a French-speaking country. (1, 2, 4-6, 8) Availability of self-access resources. (1-3) |
Methods of Assessment | |
Theatre component Coursework analytical and research essays (1, 2, 4-9) Individual and group presentations (1-10,13,14,16) Practice-based presentations and performances (1-15) Workfiles, journals and vivas (1-16) French component Regular language exercises (translations, essays, comprehension, grammar exercises, oral presentations and aural comprehension) during academic session. (1-3) Examinations (unseen) in all three years testing breadth of knowledge of different subjects. (1-3) Range of short and extended essays, testing ability to present and analyse a single topic in detail. (1-8) Oral presentations. (1, 4) Class tests, assessing knowledge of basic factual data. (3, 7) Coursework dissertations completed during the session abroad. (1, 2, 4, 8) Special subjects to allow final-year students to investigate areas in depth, with the option of a dissertation researching a subject of their own choice in detail. (2-8) Practical exercises and most class tests are formative; essays and certain class tests are both formative (with feedback to help students improve their performance) and summative (marks contributing to the final degree). Examinations and the final-year dissertations are summative. |
Programme Intended Learning Outcomes | Learning and Teaching Methods |
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|
Theatre component Acquisition of knowledge and understanding through lectures and seminars (3, 7, 9) Set and directed viewings and visits to performances, and directed reading, with a strong emphasis on primary materials (3, 4) Seminars and small-group tutorials to encourage student participation and advance understanding of difficult materials (2-7, 9) Seminars and workshops to develop student creative and practical production skills acquisition (1-9) Production meetings and supervisions to provide formative feedback and develop student skills in practical project realisation (1-9) Tutorials and supervisions to provide formative feedback and develop student skills in presentation and essay writing (3-9) French component Acquisition of knowledge and understanding through lectures, seminars and tutorials.(1-8) Directed reading with a strong emphasis on primary materials in French. (1-8) Independent learning is achieved through written coursework and preparation for oral presentations. (1-3) Use of student group-work to develop ideas and understanding. (1, 2, 7) Use of student seminar presentations promoting team skills of co-operation and responsibility. (1, 2) Formative feedback on assessment is given through tutorials and written comments. Language is taught in mandatory intensive units under the guidance of teachers who are native French speakers or who have near-native competence. Formal grammar teaching using a specially designed coursebook. (1-3) Compulsory period of residence in a French-speaking country. (1, 2, 4-6, 8) Availability of self-access resources. (1-3) |
Methods of Assessment | |
Coursework analytical and research essays (2-5, 8) Individual and group presentations (1-9) Practice-based presentations and performances (1-9) Workfiles, journals and vivas (1-9) French component Regular language exercises (translations, essays, comprehension, grammar exercises, oral presentations and aural comprehension) during academic session. (1-3) Examinations (unseen) in all three years testing breadth of knowledge of different subjects. (1-3) Range of short and extended essays, testing ability to present and analyse a single topic in detail. (1-8) Oral presentations. (1, 4) Class tests, assessing knowledge of basic factual data. (3, 7) Coursework dissertations completed during the session abroad. (1, 2, 4, 8) Special subjects to allow final-year students to investigate areas in depth, with the option of a dissertation researching a subject of their own choice in detail. (2-8) Practical exercises and most class tests are formative; essays and certain class tests are both formative (with feedback to help students improve their performance) and summative (marks contributing to the final degree). Examinations and the final-year dissertations are summative. |
Statement of expectations from the students at each level of the programme as it/they develop year on year.
Level C/4 - Certificate |
Theatre component: Year 1 is introductory, providing a foundation for second and third year learning and for fulfilling the programme’s outcomes. Students gain familiarity with performance forms, key theories and concepts, contexts and ways of analysing theatre and performance. Through workshops, practical skills are acquired, in theatre production, reading a script for performance and staging a play for an audience. In addition, students develop their ability to discuss issues and write critically about the arts in a broader cultural context, in dialogue with film and music students on the Criticism in the Arts unit. French component: Year 1 of the course has been expressly designed to lay the foundations, both in terms of subject-specific knowledge and skills and in terms of more general skills and abilities, which will allow students to fulfil the curriculum's aims and objectives. Core units in language are geared to help students progress in the consolidation and development of their A-level (or equivalent) language skills. Mandatory non-language units cover some of the main themes and concepts of French culture, familiarising students with the literature and political/social backcloth of France and thereby introducing them to the key areas of study offered in the curriculum. This will enable students to make informed choices between the optional units available in future years and provide a sound basis for study in Level I. The expectation is that their work will require considerable direction from members of staff at this stage. |
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Level I/5 - Intermediate |
Theatre component: In their second year students take two lecture and seminar units, which expand their contextual and historical, cultural and political frameworks for understanding theatre and performance. Students deepen their understanding of performance forms, genres or periods through optional units, which draw on expertise from staff research and enable a focus on particular theatre practices. In these options, which are taught across Level I/5 and H/6, students are expected to improve their skills in both creative, collaborative practice and their ability to reflect critically and theoretically. Students’ capacity for self-directed learning is also developed, which is necessary preparation for Level H/6 (e.g. through researching longer essays, devising and realising group performance projects). French: In Year 2, students are expected to be able to demonstrate that, in both mandatory and optional units, they have expanded the range and depth of their knowledge and also their capacity to evaluate their work. The topics explored and source materials consulted will be of greater depth and substance. Students will develop their analytical skills, their ability to structure their work and to expound it effectively with the increased requirement for seminar presentation. Language work will be of a higher level of complexity and students will develop their capacity to work accurately and creatively with French. They will be encouraged in group-work skills through active participation in seminars. They will be acquiring a heightened capacity for self-directed learning (for example, through the researching and writing of coursework assignments).<br. In Year 3, students will develop their command of spoken and written French during the mandatory period of residence abroad in a French-speaking country when they either follow a formal programme of instruction at an academic institution, take up an approved placement in a business or administrative organisation or take part in the British Council Teaching Assistantship scheme. Their linguistic, critical, research and presentational skills will also be enhanced through the writing of dissertations in French during the year. |
Level H/6 - Honours |
Theatre component: In the final year, students choose two supervised independent study options: written dissertation, practical performance project, extended essay and/or work placement. They develop their individual interests, and conceive self-directed projects that prepare them for professional contexts or postgraduate study. Students produce longer essays, are expected to formulate more nuanced and sophisticated arguments, refine their ability to gather and assimilate information, and should be confident using more advanced theory. Their knowledge of forms, genres and practices becomes deeper and they are expected to produce more professional, conceptually-informed creative practice. Their knowledge and understanding (15A) should be in depth and advanced, they should show a mastery of intellectual and creative attributes (15B), demonstrate self-motivation, effective collaborative working, independent thinking and a range of transferable skills (15C). French: In Year 4, students are expected to expand the breadth of their knowledge through the study of optional units that allow them to pursue more closely their particular areas of interest. These units are more directly linked to staff research specialisms. Students are thereby able to benefit from a wide range of expertise at the cutting-edge of research that not only enhances their intellectual development but also serves actively to foster in them a research culture. Students will be expected to develop their ability to gather and assimilate information, synthesise it in an appropriately informed way, and engage in sophisticated evaluation of primary texts. These skills will have been enhanced through the heightened command of the French language acquired during the mandatory period of residence in a French-speaking country. |
The intended learning outcome mapping document shows which mandatory units contribute towards each programme intended learning outcome.
For information on the admissions requirements for this programme please see details in the undergraduate prospectus at http://www.bristol.ac.uk/prospectus/undergraduate/ or contact the relevant academic department.
Workload Statement
In common with the rest of the University, units in the Faculty of Arts
adhere to the credit framework which sets out that 20 credits normally
equates to some 200 hours of student input. Some of this time will be spent
in class, with the remainder divided between preparation for classes and
preparation for, and completion of, the assessment tasks. Some of this
activity may occur within the University’s online learning environment,
Blackboard, which you may use to prepare wikis, to interact with other
students, to download tutorials or to receive feedback.
Assessment Statement
Please select the following link for a statement about assessment. This is University of Bristol access only.
https://www.bris.ac.uk/arts/current/under/assessment.html
This new programme emerges out of the existing Drama and French Degree and enables the continuity of this Joint provision.
Honours Degree programmes involving French and another subject require mandatorily that one year (Year Three) be spent abroad in a French-speaking country. Many students opt to take an assistantship in a French school under a scheme organised by the British Council. The French Department has ERASMUS exchange agreements with universities in, Paris, Bordeaux, Aix en Provence, Toulouse, Poitiers, La Réunion and Geneva. A number of placements or stages are also taken up; some placements are recurrently available to Bristol students while others are arranged anew each year. The French Department, thanks to its size with 14 full-time teaching staff, is able to offer a rich array of internal pathways for students to follow. All the pathways place an emphasis on the development of language skills and the enhancement of the students' knowledge and expertise in a variety of genres and periods of culture selected from the wide range available. The Department has always encouraged a strong synergy between research and teaching. This has resulted in the creation and development of a vibrant learning environment for students within the Department, as staff continuously upgrade existing teaching materials and introduce fresh optional units.
A further source of strength in the learning experience of students comes from the interaction between French and other departments. Single honours students will normally follow Additional units taught outside the French Department. In addition, units have consistently been available as options within other departments as well as French. Furthermore, almost all the units figuring in the programme may be followed by students of French within the School of Modern Languages. The School offers a wide variety of joint programmes involving the study of any two of the following languages: Czech, French, German, Italian, Portuguese, Russian and Spanish. There are also joint programmes combining French and Theatre, History of Art, Music, Philosophy, Politics, History and Law. Such students serve to enrich the intellectual environment within which teaching and learning take place within the French Department.
The Theatre and Performance Studies component has been developed out of the existing Drama programme, which has effectively in recent years delivered a balanced curriculum across both film/television and theatre/performance studies. We wish to maintain a degree of cross-disciplinary optionality in the Theatre programme, as well as become open to the provision that becomes available from across the Faculty within Project Arts. Theatre and Performance Studies is by its very nature eclectic and hybrid, developing out of both language and literature studies; and we intend to maintain and develop that porosity.
This new programme will build on the unique and distinctive strengths of Drama as was, the combination of internationally recognized scholarship; innovative practice-as-research conducted in professional contexts; the unique resource of the UOB’s Theatre Collection; and active partnerships at all levels with leading local and national arts-organizations. Teaching fellows will continue to provide practical production skills training, working alongside scholars to deliver performance projects to public audiences. These strengths in combination infuse and inform all the Department’s teaching, and provide its students with a highly distinctive provision: for instance, in terms of opportunities for engagement with archives and primary source materials, and industrial placements with leading artists in their field, such as Shakespeare at the Tobacco Factory, Mayfest, Bristol Old Vic and In Between Time Festival of Live Art.
The mandatory language unit in list A is a must pass. For further information and a definition of must pass units please see the Glossary of Terms
Unit Name | Unit Code | Credit Points | Status | ||
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List A | |||||
Introduction to Performance Practices | THTR10009 | 20 | Mandatory | TB-1 | |
French Language | FREN10029 | 20 | Mandatory | TB-4 | |
List B | |||||
Introduction to Performance Studies | THTR10008 | 20 | Mandatory | TB-1 | |
Shaping France | FREN10008 | 20 | Mandatory | TB-1 | |
List D - Choose 20 CP from this list | |||||
Producing the Performance | THTR10007 | 20 | Optional | TB-2 | |
List E | |||||
Representations of Francophone Cultures | FREN10013 | 20 | Mandatory | TB-2 | |
Certificate of Higher Education | 120 |
The mandatory language unit FREN20001 is a must pass. For further information and a definition of must pass units please see the Glossary of Terms
You must take at least 40 CP in French units and at least 40 CP in Theatre units
Unit Name | Unit Code | Credit Points | Status | ||
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You must take at least 40 CP in French units and at least 40 CP in Theatre units | |||||
List A - Students take 20 CP or 40 CP if THTR option in list D is not chosen. | |||||
Performance Histories | THTR20010 | 20 | Optional | TB-1 | |
French Language 2 | FREN20001 | 20 | Mandatory | TB-4 | |
List B - Choose 20 CP from list B or from list D | |||||
Interpreting Plays | THTR20011 | 20 | Optional | TB-1 | |
Popular Performance | THTR20018 | 20 | Optional | TB-1 | |
French Drama | FREN20026 | 20 | Optional | TB-1 | |
Introduction to Francophone African Literature | FREN20043 | 20 | Optional | TB-1 | |
The French Language: Structures and Varieties | FREN20044 | 20 | Optional | TB-1 | |
France 1940-44: Occupation and Resistance | FREN20037 | 20 | Optional | TB-1 | |
Paris 1857-1897 | FREN20041 | 20 | Optional | TB-1 | |
General Linguistics | MODL20016 | 20 | Optional | TB-1 | |
List C - Choose 20 CP from this list | |||||
Applied Theatre | THTR20002 | 20 | Optional | TB-2 | |
Interpreting Plays | THTR20011 | 20 | Optional | TB-1 | |
Early Modern Theatre Practice | THTR20013 | 20 | Optional | TB-2 | |
French Drama | FREN20026 | 20 | Optional | TB-1 | |
Introduction to Francophone African Literature | FREN20043 | 20 | Optional | TB-1 | |
Francophone Belgian Culture: From Symbolism to bande dessinée | FREN20064 | 20 | Optional | TB-1 | |
Modern Critical Theory | FREN20061 | 20 | Optional | TB-2 | |
France in Ferment 1870-1940 | FREN20063 | 20 | Optional | TB-2 | |
Catalan Language (Elementary) | MODL23014 | 20 | Optional | TB-4 | |
Czech Language (Elementary) | MODL23015 | 20 | Optional | TB-4 | |
General Linguistics | MODL20016 | 20 | Optional | TB-1 | |
Introduction to teaching Modern Languages as Foreign Languages | MODL20021 | 20 | Optional | TB-1 | |
Beginners Portuguese | MODL20022 | 20 | Optional | TB-4 | |
List D - Choose 20 CP from list D or from list B | |||||
Politics of Performance | THTR20005 | 20 | Optional | TB-2 | |
French Fiction: from Realism to the 21st Century | FREN20048 | 20 | Optional | TB-2 | |
Introduction to French Cinema | FREN20056 | 20 | Optional | TB-2 | |
France in Ferment 1870-1940 | FREN20063 | 20 | Optional | TB-2 | |
Modern Critical Theory | FREN20061 | 20 | Optional | TB-2 | |
Historical Linguistics | MODL20017 | 20 | Optional | TB-2 | |
Women and Nation TB-2 | MODL20023 | 20 | Optional | TB-2 | |
List E - Choose 20 CP from this list | |||||
Early Modern Theatre Practice | THTR20013 | 20 | Optional | TB-2 | |
Clowning Through History | THTR20014 | 20 | Optional | TB-1 | |
Decolonising Performance | THTR20019 | 20 | Optional | TB-2 | |
French Fiction: from Realism to the 21st Century | FREN20048 | 20 | Optional | TB-2 | |
France and Europe | FREN23013 | 20 | Optional | TB-2 | |
Women and Nation TB-2 | MODL20023 | 20 | Optional | TB-2 | |
List F - Choose 20 CP from this list | |||||
Take 20 CP From Bristol Futures, UWLP or Faculty Wide Units – OR choose an additional 20 CP from lists A-E above | OPEN | 20 | Optional | ||
Diploma of Higher Education | 120 |
Year Abroad units MODL20014 and MODL20015 are must pass. For further information and a definition of must pass units please see the Glossary of Terms
Unit Name | Unit Code | Credit Points | Status | ||
---|---|---|---|---|---|
Year Abroad TB-1 | MODL20014 | 60 | Mandatory | AYEAR | |
Year Abroad TB-2 | MODL20015 | 60 | Mandatory | AYEAR | |
120 |
Mandatory Unit FREN30001 is must pass. For further information and a definition of must pass units please see the Glossary of Terms
Unit Name | Unit Code | Credit Points | Status | ||
---|---|---|---|---|---|
You must take at least 40 CP in French units and at least 40 CP in Theatre units | |||||
List A- Choose 20 to 60 CP from this List | |||||
French Language 3 | FREN30001 | 20 | Optional | TB-4 | |
Independent Study: Performance Project | THTR30015 | 40 | Optional | TB-4 | |
Independent Study: Dissertation | THTR30018 | 40 | Optional | TB-4 | |
List B - Choose one unit, 20 CP, from this List | |||||
Around Cubism | FREN30096 | 20 | Optional | TB-1 | |
Francophone Identities in the Visual Arts | FREN30099 | 20 | Optional | TB-1 | |
The Censor's Scissors, 1750-1830 | FREN30112 | 20 | Optional | TB-1 | |
Translation and Adaptation | THTR30007 | 20 | Optional | TB-1 | |
Shakespearean Tragedy: Textual and Literary Criticism | ENGL39027 | 20 | Optional | TB-1 | |
Independent Study: Extended Essay | THTR30017 | 20 | Optional | B,E | TB-1,TB-2 |
Contemporary British Theatre | THTR30019 | 20 | Optional | TB-1 | |
Communism in Europe | MODL30001 | 20 | Optional | TB-1 | |
The Italian City: Medieval and Early Modern Cultures | MODL30020 | 20 | Optional | TB-1 | |
List C - Choose 20 CP from List C or from List F, unless you choose a 40 CP unit in List A | |||||
French for Business and Enterprise | FREN30047 | 20 | Optional | TB-4 | |
Intellectuals and the Media in France | FREN30108 | 20 | Optional | TB-1 | |
Me, Myself, and I: The Essais of Michel de Montaigne | FREN30114 | 20 | Optional | TB-1 | |
Chantal Akerman's Cinema: Queering Conventions and Screening Desire | FREN30130 | 20 | Optional | TB-2 | |
Thinking Radically in Twentieth-Century France | FREN30132 | 20 | Optional | TB-2 | |
Around Cubism | FREN30096 | 20 | Optional | TB-1 | |
Devised Performance | THTR30003 | 20 | Optional | TB-1 | |
Site-Specific and Immersive Performance | THTR30006 | 20 | Optional | TB-1 | |
Contemporary British Theatre | THTR30019 | 20 | Optional | TB-1 | |
The Age of the Actress: Eighteenth-Century Performance Practices | THTR30022 | 20 | Optional | TB-1 | |
Translating in a Professional Context | MODL30010 | 20 | Optional | TB-1 | |
Catalan Language (follow-on) | MODL30011 | 20 | Optional | TB-4 | |
Czech Language (follow-on) | MODL30012 | 20 | Optional | TB-4 | |
Follow-on Portuguese | MODL30037 | 20 | Optional | TB-4 | |
Liaison Interpreting | MODL30006 | 20 | Optional | TB-1,TB-2 | |
List D - Choose one unit from this list | |||||
Surrealism: Pleasure and Provocation in 1920s Textual and Visual Culture | FREN30040 | 20 | Optional | TB-2 | |
War Stories: Representation and Memory of Conflict in France since World War One | FREN30041 | 20 | Optional | TB-2 | |
The Alchemy of Influence: Imitation, Translation, and Creativity | FREN30131 | 20 | Optional | TB-2 | |
Devised Performance | THTR30003 | 20 | Optional | TB-1 | |
Translation and Adaptation | THTR30007 | 20 | Optional | TB-1 | |
Professional Development in Theatre and Performance | THTR30023 | 20 | Optional | TB-1,TB-2 | |
The Age of the Actress: Eighteenth-Century Performance Practices | THTR30022 | 20 | Optional | TB-1 | |
Pan-Africanism: ideas and archives | MODL30026 | 20 | Optional | TB-2 | |
List E - Choose 20 CP from this List unless you choose a 40 CP unit in List A | |||||
Independent Study: Extended Essay | THTR30017 | 20 | Optional | B,E | TB-1,TB-2 |
Professional Development in Theatre and Performance | THTR30023 | 20 | Optional | TB-1,TB-2 | |
Independent Study 1 | MODL30005 | 20 | Optional | TB-4 | |
List F - Choose 20 CP from List F or from List C, unless you choose a 40 CP unit in List A | |||||
Take 20 CP From Bristol Futures, UWLP or Faculty Wide Units – OR choose an additional 20 CP from lists B-E above. However, you may not choose THTR30017 in any combination with THTR30018. | OPEN | 20 | Optional | ||
Theatre and French (BA) | 120 |
Unit Pass Mark for Undergraduate Programmes:
For details on the weightings for classifying undergraduate degrees, please see the Agreed Weightings, by Faculty, to be applied for the Purposes of Calculating the Final Programme Mark and Degree Classification in Undergraduate Programmes.
For detailed rules on progression please see the Regulations and Code of Practice for Taught Programmes and the relevant faculty handbook.
Please refer to the specific progression/award requirements for programmes with a preliminary year of study, the Gateway programmes and International Foundation programmes.
All undergraduate degree programmes allow the opportunity for a student to exit from a programme with a Diploma or Certificate of Higher Education.
Integrated Master's degrees may also allow the opportunity for a student to exit from the programme with an equivalent Bachelor's degree where a student has achieved 360 credit points, of which 90 must be at level 6, and has successfully met any additional criteria as described in the programme specification.
The opportunities for a student to exit from one of the professional programmes in Veterinary Science, Medicine, and Dentistry with an Award is outlined in the relevant Programme Regulations (which are available as an annex in the Regulations and Code of Practice for Taught Programmes).
An Ordinary degree can be awarded if a student has successfully completed at least 300 credits with a minimum of 60 credits at Level 6.
The pass mark for the professional programmes in Veterinary Science, Medicine and Dentistry is 50 out of 100. The classification of a degree in the professional programmes in Veterinary Science, Medicine, and Dentistry is provided in the Regulations and Code of Practice for Taught Programmes.
An oral distinction may be awarded.
The alternative classified honours degree of Arts (Modern Language Studies) may be awarded on this programme. For further details please see the Regulations and Code of Practice for Taught Programmes
Please note: This specification provides a concise summary of the main features of the programme and the learning outcomes that a typical student might reasonably be expected to achieve and demonstrate if he/she takes full advantage of the learning opportunities that are provided.
University of Bristol,
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