Unit name | Conflict and Transformation in the Visual Arts of the Hispanic World |
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Unit code | HISP20103 |
Credit points | 20 |
Level of study | I/5 |
Teaching block(s) |
Teaching Block 2 (weeks 13 - 24) |
Unit director | Dr. Paul Merchant |
Open unit status | Not open |
Pre-requisites |
None |
Co-requisites |
None |
School/department | Department of Hispanic, Portuguese and Latin American Studies |
Faculty | Faculty of Arts |
This unit will be taught by Dr Paul Merchant
The visual arts are sometimes regarded as far removed from the everyday concerns of ordinary people, as hidden away in the inaccessible spaces of galleries or private collections. This unit explores the work of artists and movements from across the Hispanic world who sought to make art that spoke to common concerns and responded to political and social upheaval. The period covered spans the 20th century, from the Mexican revolution to the Spanish civil war and unrest in Colombia.
Discussion of the works will focus on issues including race, gender and class identities, political violence, and the consequences of rapid urban expansion. Both world-famous artists like Frida Kahlo and marginalised figures like the creators of arpilleras in Chile are represented, and the media analysed range from painting to sculpture and photo-montage. Students will consider how the formal characteristics of artworks, and the contexts in which they are exhibited, shape their cultural and social impact.
By the end of this unit students will be able to:
1 weekly lecture
1 weekly seminar
1 x 15-minute group presentation (25%), testing ILOs 1-6
1 x essay, 3000 words (75%) testing ILOs 1-6.
Topics/Artists studied:
Mexican muralism: Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros. Frida Kahlo as a counterpoint.
Urban expansion in Argentina: Xul Solar, Antonio Berni (painting), Horacio Coppola (photography).
Political art of the Spanish civil war: posters, collage and montage, photography.
Art after trauma in Chile and Colombia: Doris Salcedo, arpilleras and graphic novels in Chile
References:
Alejandro Aneus, Leonard Folgarait, and Robin Adèle Greeley (eds), Mexican Muralism: A Critical History (Berkeley, CA: University of California Press, 2012)
Oriana Baddeley and Valerie Fraser, Drawing the Line: Art and Cultural Identity in Contemporary Latin America (London: Verso, 1989)
Stephen M. Hart (ed.), ‘¡No Pasarán!’: Art, Literature and the Spanish Civil War (London: Tamesis, 1988)
Kathleen Vernon, The Spanish Civil War and the Visual Arts (Ithaca: Center for International Studies, Cornell University, 1990)
Gloria Zea and Álvaro Medina (eds), Arte y violencia en Colombia desde 1948 (Bogotá: Grupo Editorial Norma, 1999)