| Unit name | Readings In Musicology |
|---|---|
| Unit code | MUSIM0036 |
| Credit points | 40 |
| Level of study | M/7 |
| Teaching block(s) |
Teaching Block 4 (weeks 1-24) |
| Unit director | Dr. Carter |
| Open unit status | Not open |
| Units you must take before you take this one (pre-requisite units) |
none |
| Units you must take alongside this one (co-requisite units) |
none |
| Units you may not take alongside this one | |
| School/department | Department of Music |
| Faculty | Faculty of Arts |
Readings in Musicology identifies areas of musicological research which demonstrate the chances and challenges of disciplinary self-awareness: key categories of thinking about music, such as autonomy, context, and modernity; the thorny relationship between history and aesthetics; the appropriation of ideas from other disciplines (philosophy, critical theory, literary theory); the discussion of musics or aspects of music ignored or suppressed by traditional musicology (gender, non-Western music, popular and functional music). Such investigations help to understand how and why musicology developed the way it did, the reasons behind and the nature of current debates, and crucially for postgraduate students perspectives on the future of the discipline.
Aims:
Readings in Musicology identifies areas of musicological research which demonstrate the chances and challenges of disciplinary self-awareness: key categories of thinking about music, such as autonomy, context, and modernity; the thorny relationship between history and aesthetics; the appropriation of ideas from other disciplines (philosophy, critical theory, literary theory); the discussion of musics or aspects of music ignored or suppressed by traditional musicology (gender, non-Western music, popular and functional music). Such investigations help to understand how and why musicology developed the way it did, the reasons behind and the nature of current debates, and – crucially for postgraduate students – perspectives on the future of the discipline.
By the end of the unit a successful student will:
(1) demonstrate knowledge and understanding of older as well as recent musicological literature
(2) be able critically to synthesise important recent and current debates in musicology, orally and in writing
(3) be able to apply the critical tools, concepts and vocabularies acquired in the unit independently to topics and questions identified in consultation with the tutors.
Teaching will be delivered through a combination of synchronous and asynchronous sessions, including seminars, tutorials, and self-directed exercises.
Two essays, each 3000 words, on topics explored in class (2x50%, summative) Individual 10-min presentation on a musicological topic (formative).
If this unit has a Resource List, you will normally find a link to it in the Blackboard area for the unit. Sometimes there will be a separate link for each weekly topic.
If you are unable to access a list through Blackboard, you can also find it via the Resource Lists homepage. Search for the list by the unit name or code (e.g. MUSIM0036).
How much time the unit requires
Each credit equates to 10 hours of total student input. For example a 20 credit unit will take you 200 hours
of study to complete. Your total learning time is made up of contact time, directed learning tasks,
independent learning and assessment activity.
See the Faculty workload statement relating to this unit for more information.
Assessment
The Board of Examiners will consider all cases where students have failed or not completed the assessments required for credit.
The Board considers each student's outcomes across all the units which contribute to each year's programme of study. If you have self-certificated your absence from an
assessment, you will normally be required to complete it the next time it runs (this is usually in the next assessment period).
The Board of Examiners will take into account any extenuating circumstances and operates
within the Regulations and Code of Practice for Taught Programmes.
