Unit name | Literature 1900-present |
---|---|
Unit code | ENGL20064 |
Credit points | 20 |
Level of study | I/5 |
Teaching block(s) |
Teaching Block 2 (weeks 13 - 24) |
Unit director | Dr. Steve De Hailes |
Open unit status | Not open |
Pre-requisites |
None |
Co-requisites |
None |
School/department | Department of English |
Faculty | Faculty of Arts |
This unit aims to introduce students to the breadth of British, Irish and Commonwealth writing of the twentieth and twenty-first centuries. It will encourage them to think about some of the major literary genres, movements and contexts of the age, including modernism, colonial and postcolonial writings, Absurdism, postmodernism, and beyond. The unit will also consider some of the most pressing intellectual, ideological and artistic debates of the long twentieth century through its literatures, discussing issues such as the impact of technological advances; nationhood and nationalism; exile and diaspora; war and conflict; nostalgia and Utopianism; the politics of racial, religious and gender identity; and the role of ‘culture’ and art in the public arena. Alternating between weeks centred on the study of core texts and weeks on these particular topics, genres, movements and contexts, the unit will encourage students to make connections across texts, and to use the core reading as a starting point for further exploration, both in their work for this unit and on the Later Literature options at H/6.
Students will practice their close reading skills in small groups, and will work together on a group presentation.
On successful completion of this unit, students will be able to:
Teaching will involve asynchronous and synchronous elements, including long- and short-form lectures, group discussion, research and writing activities, and peer dialogue. Students are expected to engage with the reading and participate fully with the weekly tasks and topics. Learning will be further supported through the opportunity for individual consultation.
T. S. Eliot, The Waste Land (1922)
Virginia Woolf, Mrs Dalloway (1925)
Elizabeth Bowen, The Death of the Heart (1938)
Samuel Beckett, Endgame (1957)
Seamus Heaney, North (1975)
Zadie Smith, White Teeth (2000)