Unit name | Approaches to the Artist (Reflective Art History Unit) |
---|---|
Unit code | HART30007 |
Credit points | 20 |
Level of study | H/6 |
Teaching block(s) |
Teaching Block 2 (weeks 13 - 24) |
Unit director | Professor. Shaw-Miller |
Open unit status | Not open |
Pre-requisites |
None |
Co-requisites |
None |
School/department | Department of History of Art (Historical Studies) |
Faculty | Faculty of Arts |
This unit will consider the idea of the artist as a part of the discussion of the culture and of the cultural products of any given historical era. What art historians think they know about ‘the artist’ as a category is open to constant scrutiny within the discipline, and new approaches to the idea of ‘the artist’ (or of any given artist) can substantially change the ways in which artists and their works are considered. As well as this, academic and popular views of particular individual artists, or groups of artists, can shift and change, producing further new interpretations and frameworks within which they and their works can be considered. This unit encourages students to examine the theoretical issues presented by studying artists – as a category or individually – and to consider the changing receptions in academic and popular culture of particular artists and groups of artists.
On successful completion of this unit students will be able to:
1 x two-hour seminar and 1 x one-hour workshop
One two-hour exam 100% [ILOs 1-5]
Barker, Emma et al (eds.), The Changing Status of the Artist, New Haven/London, Yale University Press/Open University, 1999.
Vasari, Giorgio, The Lives of the Artists (edited and translated by G. Bull; first published in 1550) Oxford: Oxford University Press, 1991.
Krauss, Rosilind, 'In the Name of Picasso', October, Vol. 16, Art World Follies (Spring, 1981), pp. 5-22.
Cubism and Abstract Art (MoMA, NY, 1936)
David Cottington, Cubism and Its Histories (MUP, 2004)